Journal publishes contributions in English, French, German, Italian, and Spanish in the field of history and philosophy of science ORGANON invites submissions presenting results of original research which have not appeared, or will not appear, elsewhere in substantially the same or abbreviated form.
ORGANON is a peer reviewed journal publishing contributions on any aspect of history and philosophy of the humanities and sciences in English, French, German, Italian, Spanish, and, occasionally, in Latin.
ORGANON was founded in 1936 by Stanisław Michalski as an International Review and published by the Mianowski Institute for the Promotion of Science and Letters. The first issue contained the seminal essay “The Science of Science” by Maria Ossowska and Stanisław Ossowski. The second issue was published in 1938, and the third in 1939 (of which the entire print run was probably lost during the Warsaw Uprising hostilities in 1944; a few articles are now available as offprints). ORGANON was re-established by Bogdan Suchodolski in 1964. Comprehensive summaries and an index of authors for the years 1936-2008 were published in issue 37(40) in 2008.
ORGANON is published annually. From issue 54 (2022) papers are being published successively online throughout the year, then printed in hard copy all together at the end of the year.
ISSN: 0078-6500
eISSN: 2657-5337
MNiSW points: 70
UIC ID: 481795
DOI: 10.4467/00786500.ORG
Editorial team
Editor:
Prof. dr hab.RobertZaborowski
Editorial Assistant:
drPaulinaPludra-Żuk
Editorial team members:
drMateuszMarszałkowski
drJosefinaRodríguez-Arribas
Affiliation
Institute for the History of Science, Polish Academy of Sciences
This text exposes and analyses the references to the Eleatics starting from the hints to Gorgias and Zeno in the Phaedrus 261c–d and from the eristic arguments of Euthydemus which are evidently influenced by the way of arguing of the Eleatics. Naturally, the greatest attention is reserved for the dialectical dialogues: with a real coup de théâtre, the Eleatics pass from being (almost) unknown figures to becoming masters. First Parmenides and then the Stranger of Elea give Socrates important suggestions about method and content. This sequence is even more exceptional because it is the only case in which we find some internal references in Plato’s corpus, where the author usually never mentions his own writings. These analysis highlights, among other issues, the importance of dialectics, the treatment of not being as different, the denial of the so-called parricide by the Stranger of Elea.
In the Parmenides, it is possible to identify affirmations that are clearly of Eleatic origin and which are re-elaborated by Plato who includes them ad hoc when developing his arguments. The dialectical contribution on the question of the multiplicity of entities given to the Parmenidean philosophy by Zeno is discussed not only in the first part of the dialogue (see 127d–128d) but also in the second. In the latter, Parmenides adopts an ontological-metaphysical setting through which Plato gives an example of the various uses of Zenonian dialectic. Here all the hypotheses concerning the One are analysed (see 136a–c).
For Proclus, the subject of Parmenides’ hypothesis is the One and the verb to be has an existential meaning. Modern commentators acknowledge the existential function of the verb, but propose different subjects. I try to explain why I give a predicative function to the verb to be, giving the world as its subject, one being the predicate.
Part 2 of the Parmenides is an obvious place to examine Plato’s reception of Zeno; after all, it is a demonstration apparently based on Zeno’s method and one of the main characters of the dialogue is Zeno. Nevertheless, it has received little attention as a source for understanding Plato’s engagement with the historical Zeno. Here, I show that Plato engages with Zeno’s paradox of place in the first deduction of Part 2 of the Parmenides—and in sophisticated and interesting ways.
I begin by addressing some methodological issues. I then examine Eudemus’ account of Zeno’s paradox of place as reported by Simplicius and Aristotle’s account in his Physics 4.3 in order to reconstruct it. I proceed to examine the arguments for the one’s being nowhere, if it is, in the first deduction of the Parmenides. I argue that there are good reasons to suppose that Zeno’s paradox of place is at issue there. Finally, I reflect on what these arguments reveal about Plato’s engagement with Zeno’s paradox of place.
This is the first of two studies in which I examine Plato’s account of Parmenides’ contribution to Socrates’ education. This account suggests, I argue, that Socrates became a virtuoso of the elenchos and the embodiment of fundamental intellectual virtues thanks to the gymnasia depicted in the Parmenides. I show how Parmenides’ eightfold routine is not a method of philosophical investigation strictly speaking; rather, it is a skill-building exercise that relies on memory and whose virtue is partly defensive. My demonstration is based on three sets of distinctions required to do justice to the preparatory character of Parmenides’ gymnasia. The first differentiates three types of intellectual virtues, the second two kinds of training methods, and the third, three telic modes.
My first study identified the cognitive abilities and argumentative skills developed by the gymnasia presented in Plato’s Parmenides. Since the correspondence with the intellectual virtues Socrates displays in other dialogues is too remarkable to be a coincidence, I concluded that Socrates must have trained with Parmenides’ eightfold routine in his youth. My second study supports this conclusion by drawing attention to textual evidence found in the Phaedo. The autobiographical account Socrates shares in that dialogue indicates how the gymnasia impacted his intellectual development, mostly through the action of hypothesizing. This strategic move used by the Eleatics transformed the originally sectarian way Socrates related to Forms and enabled him to protect his theory from attacks in a secure yet non-dogmatic way.
This paper sheds light on Plato’s representation of Zeno in the Phaedrus as a master of antilogic. It examines the evidence in the Phaedrus drawing attention to a certain distribution of labour between the followers of Palamedes, who practice antilogic, on the one hand and those of Nestor and Odysseus, who practice logography, on the other. I suggest that the reason for which Plato prefers to associate Zeno with antilogic rather than Protagoras, who might strike us as an obvious choice, is that the former, unlike the latter, would serve the purposes of his Socratic apologetics, removing from his teacher the reputation that Aristophanes’ Clouds had bequeathed him. This reading ties in with and draws support from Zeno’s remarks concerning the nature of his book in the Parmenides, a dialogue that Plato intends us to understand as a prequel that—again along the lines of an apologetic agenda—claims Socrates’ philosophical pedigree establishing his ties with the Eleatic tradition.
This text exposes and analyses the references to the Eleatics starting from the hints to Gorgias and Zeno in the Phaedrus 261c–d and from the eristic arguments of Euthydemus which are evidently influenced by the way of arguing of the Eleatics. Naturally, the greatest attention is reserved for the dialectical dialogues: with a real coup de théâtre, the Eleatics pass from being (almost) unknown figures to becoming masters. First Parmenides and then the Stranger of Elea give Socrates important suggestions about method and content. This sequence is even more exceptional because it is the only case in which we find some internal references in Plato’s corpus, where the author usually never mentions his own writings. These analysis highlights, among other issues, the importance of dialectics, the treatment of not being as different, the denial of the so-called parricide by the Stranger of Elea.
In the Parmenides, it is possible to identify affirmations that are clearly of Eleatic origin and which are re-elaborated by Plato who includes them ad hoc when developing his arguments. The dialectical contribution on the question of the multiplicity of entities given to the Parmenidean philosophy by Zeno is discussed not only in the first part of the dialogue (see 127d–128d) but also in the second. In the latter, Parmenides adopts an ontological-metaphysical setting through which Plato gives an example of the various uses of Zenonian dialectic. Here all the hypotheses concerning the One are analysed (see 136a–c).
For Proclus, the subject of Parmenides’ hypothesis is the One and the verb to be has an existential meaning. Modern commentators acknowledge the existential function of the verb, but propose different subjects. I try to explain why I give a predicative function to the verb to be, giving the world as its subject, one being the predicate.
Part 2 of the Parmenides is an obvious place to examine Plato’s reception of Zeno; after all, it is a demonstration apparently based on Zeno’s method and one of the main characters of the dialogue is Zeno. Nevertheless, it has received little attention as a source for understanding Plato’s engagement with the historical Zeno. Here, I show that Plato engages with Zeno’s paradox of place in the first deduction of Part 2 of the Parmenides—and in sophisticated and interesting ways.
I begin by addressing some methodological issues. I then examine Eudemus’ account of Zeno’s paradox of place as reported by Simplicius and Aristotle’s account in his Physics 4.3 in order to reconstruct it. I proceed to examine the arguments for the one’s being nowhere, if it is, in the first deduction of the Parmenides. I argue that there are good reasons to suppose that Zeno’s paradox of place is at issue there. Finally, I reflect on what these arguments reveal about Plato’s engagement with Zeno’s paradox of place.
This is the first of two studies in which I examine Plato’s account of Parmenides’ contribution to Socrates’ education. This account suggests, I argue, that Socrates became a virtuoso of the elenchos and the embodiment of fundamental intellectual virtues thanks to the gymnasia depicted in the Parmenides. I show how Parmenides’ eightfold routine is not a method of philosophical investigation strictly speaking; rather, it is a skill-building exercise that relies on memory and whose virtue is partly defensive. My demonstration is based on three sets of distinctions required to do justice to the preparatory character of Parmenides’ gymnasia. The first differentiates three types of intellectual virtues, the second two kinds of training methods, and the third, three telic modes.
My first study identified the cognitive abilities and argumentative skills developed by the gymnasia presented in Plato’s Parmenides. Since the correspondence with the intellectual virtues Socrates displays in other dialogues is too remarkable to be a coincidence, I concluded that Socrates must have trained with Parmenides’ eightfold routine in his youth. My second study supports this conclusion by drawing attention to textual evidence found in the Phaedo. The autobiographical account Socrates shares in that dialogue indicates how the gymnasia impacted his intellectual development, mostly through the action of hypothesizing. This strategic move used by the Eleatics transformed the originally sectarian way Socrates related to Forms and enabled him to protect his theory from attacks in a secure yet non-dogmatic way.
This paper sheds light on Plato’s representation of Zeno in the Phaedrus as a master of antilogic. It examines the evidence in the Phaedrus drawing attention to a certain distribution of labour between the followers of Palamedes, who practice antilogic, on the one hand and those of Nestor and Odysseus, who practice logography, on the other. I suggest that the reason for which Plato prefers to associate Zeno with antilogic rather than Protagoras, who might strike us as an obvious choice, is that the former, unlike the latter, would serve the purposes of his Socratic apologetics, removing from his teacher the reputation that Aristophanes’ Clouds had bequeathed him. This reading ties in with and draws support from Zeno’s remarks concerning the nature of his book in the Parmenides, a dialogue that Plato intends us to understand as a prequel that—again along the lines of an apologetic agenda—claims Socrates’ philosophical pedigree establishing his ties with the Eleatic tradition.
Angélique Rougon is the main character from Le Rêve, a novel from Emile Zola’s Rougon–Macquart cycle, atypical because the author originally conceived of it in a way radically different from the rest of his work. He promises his heroine a happy destiny by moving her from her abandoned childhood identity to a triumphant marital status. But the tale fails at the same time as the project for a successful socialization, and the novel becomes an expression of two tensions: a literary tension on one side, because of the gap between the first plan and the completed text; and an anthropological tension on the other because it questions the possibility of a happy evolution from a symbolical savage state to an environment defined by its ancestral culture.
At the turn of the 19th and 20th centuries, French prehistory underwent a conceptual and methodological overhaul in line with the movement affecting the human sciences at the time. This change was brought about by a new generation of prehistorians, but some of the earliest, including Émile Cartailhac, were also at the forefront of the movement. The Toulouse prehistorian was not a systemic thinker, but conducted research into, and dissemination and promotion of prehistory at both the national and international level. He played an active role in the main debates renovating prehistory and proposed a series of compromises that reconfigured prehistoric practice by the renovation of methods and the opening up of new areas of investigation.
In November 1933 the room of Exotic Prehistory at the Musée d’ethnographie du Trocadéro (MET) was first opened. Initially focusing on Africa, the project evolved when Paul Rivet incorporated Asian territories into it. The organizing of the room was partly the result of the institutionalization and professionalization of the French Science of Man during the interwar period, which was common to both ethnographic and ¨ anthropological collections. However, the acquisition and management of prehistoric collections, particularly those from Indochina, had their own specificities. The aim of this article is to examine, from a museum perspective, the concept of exotic prehistory, the types of objects that are promoted through it and the ways in which it was created and used at the MET.
This article aims to analyse the reception of the most well known works and discoveries in European prehistory in Argentina and Uruguay. The aim is to assess how terms and typologies proposed by French authors were adapted and challenged at a local level. Prehistorians from the north of the Italian peninsula played a fundamental role in this process. The article also refers to the news published in the Argentine press about the discoveries made in Europe, which inspired new vocations, particularly under the impetus of the professors in charge of the chair of natural history at the University of Buenos Aires.
The history of the recognition of Palaeolithic art has been written from the perspective of European discoveries in the last third of the 19th century. Through this case study of the publication of the Wandjina paintings (Australian Kimberley) by George Grey between 1838 and 1841 and through the contextualisation of the interpretations attributed to them the article investigates the intellectual and political space in which conceptions relating to the ability of Aborigines to produce this art emerged within the debates of contemporaries and, later, of English and French prehistorians. It also provides an insight into the different contexts that shaped the will to reconstruct the heritage of non–European cultures in a colonial context.
Angélique Rougon is the main character from Le Rêve, a novel from Emile Zola’s Rougon–Macquart cycle, atypical because the author originally conceived of it in a way radically different from the rest of his work. He promises his heroine a happy destiny by moving her from her abandoned childhood identity to a triumphant marital status. But the tale fails at the same time as the project for a successful socialization, and the novel becomes an expression of two tensions: a literary tension on one side, because of the gap between the first plan and the completed text; and an anthropological tension on the other because it questions the possibility of a happy evolution from a symbolical savage state to an environment defined by its ancestral culture.
At the turn of the 19th and 20th centuries, French prehistory underwent a conceptual and methodological overhaul in line with the movement affecting the human sciences at the time. This change was brought about by a new generation of prehistorians, but some of the earliest, including Émile Cartailhac, were also at the forefront of the movement. The Toulouse prehistorian was not a systemic thinker, but conducted research into, and dissemination and promotion of prehistory at both the national and international level. He played an active role in the main debates renovating prehistory and proposed a series of compromises that reconfigured prehistoric practice by the renovation of methods and the opening up of new areas of investigation.
In November 1933 the room of Exotic Prehistory at the Musée d’ethnographie du Trocadéro (MET) was first opened. Initially focusing on Africa, the project evolved when Paul Rivet incorporated Asian territories into it. The organizing of the room was partly the result of the institutionalization and professionalization of the French Science of Man during the interwar period, which was common to both ethnographic and ¨ anthropological collections. However, the acquisition and management of prehistoric collections, particularly those from Indochina, had their own specificities. The aim of this article is to examine, from a museum perspective, the concept of exotic prehistory, the types of objects that are promoted through it and the ways in which it was created and used at the MET.
This article aims to analyse the reception of the most well known works and discoveries in European prehistory in Argentina and Uruguay. The aim is to assess how terms and typologies proposed by French authors were adapted and challenged at a local level. Prehistorians from the north of the Italian peninsula played a fundamental role in this process. The article also refers to the news published in the Argentine press about the discoveries made in Europe, which inspired new vocations, particularly under the impetus of the professors in charge of the chair of natural history at the University of Buenos Aires.
The history of the recognition of Palaeolithic art has been written from the perspective of European discoveries in the last third of the 19th century. Through this case study of the publication of the Wandjina paintings (Australian Kimberley) by George Grey between 1838 and 1841 and through the contextualisation of the interpretations attributed to them the article investigates the intellectual and political space in which conceptions relating to the ability of Aborigines to produce this art emerged within the debates of contemporaries and, later, of English and French prehistorians. It also provides an insight into the different contexts that shaped the will to reconstruct the heritage of non–European cultures in a colonial context.
From the second half of the 19th century, prehistory developed, both theoretically and in the field, according to a European model. Concepts and vocabulary, but also collections and European sites, were established as axioms. This construction of prehistory took place during the expansion of ethnographic missions and colonial empires. This European prehistory with universal ambitions had to take into account an otherness, current and embodied by the savage, which had become an object of study for the emerging human sciences. From a historiographical point of view, many relationships remain to be clarified with regard to the interactions between European prehistory and the construction of a prehistory beyond Europe.
Nicole Oresme quotes four times the passage from The Book of Wisdom (Wisdom of Solomon) or, in the Vulgate, Sapientia 11–21 (omnia in mensura et numero et pondere disposuisti), in several works covering his whole career. It goes to show the importance he gives to that passage: the order of nature arranged by God limits natural potencies within boundaries from which harmony follows, and at the same time it marks for man the path to perfection. But the human mind can know the natural order only to a certain degree of probability, as it results from De commensurabilitate. After all, it makes it possible to glimpse a more varied and complex order that one can imagine. Thus harmony results from a wise mixture of rationality and irrationality. From the point of view of his use of the passage of Sapientia 11–21, the skeptical Oresme appears as a scholar in search for a new synthesis, beyond that of mediaeval philosophy.
Edward Burnett Tylor (1832–1917), leading voice of British Victorian anthropology, significantly contributed to the sciences of prehistory by theorising the universality of the Stone Age in his work entitled Researches into the Early History of Mankind and the Development of Civilization (1865). In meeting this challenge, Tylor offers a comparative overview of extra–European archaeology, linguistics and ethnography, as well as of data on European prehistory, languages and folklore. Focusing on the first edition of the Researches, this essay analyses Tylor’s generalizations about the Stone Age, their methodological and theoretical issues, their key–notions and data as well as their reception at the third session of the International Congress of Prehistoric Anthropology and Archaeology (1868).
This article aims to contribute to a better understanding of the historical and scientific context of the development of early research in the prehistory of Egypt. In particular, it explores to what extent the construction of prehistory as a field in Egypt at the beginning of the 20th century has been influenced by the European model of prehistory, by focusing on two case studies, which are the works of Paul Bovier– Lapierre in the Abbassieh region, near Cairo, and the works of Edmond Vignard in the Kom Ombo region.
This article begins when Jean Perrot (1920–2012), a young French archaeologist, arrives in British Mandate Palestine, at the end of the Second World War. Retracing his career and presenting the Israeli institutions and networks he relied on allows us to measure his role in the shaping of the field of prehistory during the formative years of the State of Israel. This takes us back in time, to the origins of the French prehistoric–presence in Palestine in the 19th century and its evolution during the British Mandate times. Lastly, this contextualized approach, on the longue durée, contributes to the history of the establishment, in Jerusalem, of a new French research structure dedicated to prehistory in the second half of the 20th century.
This article offers a first survey investigating the practice of displaying objects belonging to ancient civilisations of the Italian peninsula alongside those of the peoples living in the African colonies – and beyond – during the end of 19th and the beginning of the 20th centuries. I will analyse the development of the discipline known in Italy as paletnologia in close connection with the European context and how it was presented in museums through its association with artefacts belonging to the so–called present–day primitives. Finally, the article will conclude by discussing the paradigm shift happening at the time of the Fascist Empire.
From the second half of the 19th century, prehistory developed, both theoretically and in the field, according to a European model. Concepts and vocabulary, but also collections and European sites, were established as axioms. This construction of prehistory took place during the expansion of ethnographic missions and colonial empires. This European prehistory with universal ambitions had to take into account an otherness, current and embodied by the savage, which had become an object of study for the emerging human sciences. From a historiographical point of view, many relationships remain to be clarified with regard to the interactions between European prehistory and the construction of a prehistory beyond Europe.
Nicole Oresme quotes four times the passage from The Book of Wisdom (Wisdom of Solomon) or, in the Vulgate, Sapientia 11–21 (omnia in mensura et numero et pondere disposuisti), in several works covering his whole career. It goes to show the importance he gives to that passage: the order of nature arranged by God limits natural potencies within boundaries from which harmony follows, and at the same time it marks for man the path to perfection. But the human mind can know the natural order only to a certain degree of probability, as it results from De commensurabilitate. After all, it makes it possible to glimpse a more varied and complex order that one can imagine. Thus harmony results from a wise mixture of rationality and irrationality. From the point of view of his use of the passage of Sapientia 11–21, the skeptical Oresme appears as a scholar in search for a new synthesis, beyond that of mediaeval philosophy.
Edward Burnett Tylor (1832–1917), leading voice of British Victorian anthropology, significantly contributed to the sciences of prehistory by theorising the universality of the Stone Age in his work entitled Researches into the Early History of Mankind and the Development of Civilization (1865). In meeting this challenge, Tylor offers a comparative overview of extra–European archaeology, linguistics and ethnography, as well as of data on European prehistory, languages and folklore. Focusing on the first edition of the Researches, this essay analyses Tylor’s generalizations about the Stone Age, their methodological and theoretical issues, their key–notions and data as well as their reception at the third session of the International Congress of Prehistoric Anthropology and Archaeology (1868).
This article aims to contribute to a better understanding of the historical and scientific context of the development of early research in the prehistory of Egypt. In particular, it explores to what extent the construction of prehistory as a field in Egypt at the beginning of the 20th century has been influenced by the European model of prehistory, by focusing on two case studies, which are the works of Paul Bovier– Lapierre in the Abbassieh region, near Cairo, and the works of Edmond Vignard in the Kom Ombo region.
This article begins when Jean Perrot (1920–2012), a young French archaeologist, arrives in British Mandate Palestine, at the end of the Second World War. Retracing his career and presenting the Israeli institutions and networks he relied on allows us to measure his role in the shaping of the field of prehistory during the formative years of the State of Israel. This takes us back in time, to the origins of the French prehistoric–presence in Palestine in the 19th century and its evolution during the British Mandate times. Lastly, this contextualized approach, on the longue durée, contributes to the history of the establishment, in Jerusalem, of a new French research structure dedicated to prehistory in the second half of the 20th century.
This article offers a first survey investigating the practice of displaying objects belonging to ancient civilisations of the Italian peninsula alongside those of the peoples living in the African colonies – and beyond – during the end of 19th and the beginning of the 20th centuries. I will analyse the development of the discipline known in Italy as paletnologia in close connection with the European context and how it was presented in museums through its association with artefacts belonging to the so–called present–day primitives. Finally, the article will conclude by discussing the paradigm shift happening at the time of the Fascist Empire.
In 1913, an article by Anna Wyczółkowska entitled Theoretical and experimental studies in the mechanism of speech was published in the Psychological Review. It contains the results of her studies on internal speech and thought, which had been carried out by the author seven years earlier, in the psychological laboratory of the University of Chicago. John B. Watson was a participant in the study. Wyczółkowska believed that Watson was inspired by her research. Thanks to his participation, he gradually began to move away from his original interest in animal psychology, towards behaviourism. In his Behaviorist Manifesto published in the same year, Watson took, as one of the arguments for the rightness of his programme, the assumption that the thought process is really motor habits in the larynx, improvements, short cuts, changes, etc. According to Wyczółkowska, it was obviously inspired by her research. Her aforementioned article is still cited in the psychological literature today, and belongs to the canon of the most important early experimental studies in the field of research on thinking and speech processes. This text discusses the relationship between the research conducted by Wyczółkowska and some assumptions of behaviourism. Furthermore it presents the story of Wyczółkowska’s life, her scientific work, social commitment to women’s university education, and activities in the Polish American community.
This article presents an exchange of letters between Wacław Sierpiński and Paul Montel during the year 1945. This correspondence, translated here into English, provides insight into how and in what form the French learned about the dramatic fate of many Polish mathematician colleagues during the war. We also give a short biography of the two protagonists, as well as some facts about the mathematicians mentioned in the letters.
Medieval authors used an elaborate system of tools and techniques to organize texts in a transparent and orderly way. Toward the beginning of the 13th century, scribes adopted some of the old tools and put them to use in new functions. These measures are discernible, inter alia, in pastoral works devised to aid the clergy to carry out their duties more effectively. The goal of this paper is to analyse how the techniques were used on a microscale – in short texts of doctrinal importance – to convey complex theological notions in a visually clear and practical way.
The author’s goal is to add to the understanding of the issue of where the border line is that marks the passage from an enlarged copy (an augmented or developed version) of a given chronicle to an independent authorial entity. In this context a side question arises concerning the acceptability of textual borrowing in the face of medieval authorial practices and conventions, i.e. where compiling ends and falsifying begins. The aforementioned issues are discussed on the basis of five historiographical texts composed between the mid–thirteenth and the third quarter of the 15th cent. Their common denominator is their affinity with the famous Chronicle of Popes and Emperors by Martin the Pole (or of Oppavia). Examining the character of the borrowings, their ideological stance, and their political opinions, the author reaches the conclusion that it was not the copy–and–paste technique frequently employed by the chroniclers, but their intentions that decide whether the resulting works should be treated as new entities, sometimes even forgeries.
Within the Muséum national d’histoire naturelle of Paris, the assistant naturalists of the 19th century formed a particular class. These employees produced a large part of the institution’s collections, actively contributed to the work of the professors, and sometimes even participated in their renown. Nevertheless, these assistants were engulfed in the shadows of the scientists, to such an extent that many of them have completely disappeared from the memory of the Museum. In some cases, especially for life casts, their work is even attributed to the great personalities, often to professors. Assistant naturalists appear to be under–studied; yet the examination of these employees through their material productions would allow a better understanding of the Museum’s history and the development of its departments.
The paper is a discussion of P. M. S. Hacker, The Passions: A Study of Human Nature (2018). After a general presentation of the book I mostly focus on its first part, which deals with categories and concepts essential to the philosophy of the emotions. Next I pass on to two subsequent parts of the book devoted to particular emotions. After a brief overview I say more, by way of exemplification, on the chapter on love. I end with a final assessment.
In 1913, an article by Anna Wyczółkowska entitled Theoretical and experimental studies in the mechanism of speech was published in the Psychological Review. It contains the results of her studies on internal speech and thought, which had been carried out by the author seven years earlier, in the psychological laboratory of the University of Chicago. John B. Watson was a participant in the study. Wyczółkowska believed that Watson was inspired by her research. Thanks to his participation, he gradually began to move away from his original interest in animal psychology, towards behaviourism. In his Behaviorist Manifesto published in the same year, Watson took, as one of the arguments for the rightness of his programme, the assumption that the thought process is really motor habits in the larynx, improvements, short cuts, changes, etc. According to Wyczółkowska, it was obviously inspired by her research. Her aforementioned article is still cited in the psychological literature today, and belongs to the canon of the most important early experimental studies in the field of research on thinking and speech processes. This text discusses the relationship between the research conducted by Wyczółkowska and some assumptions of behaviourism. Furthermore it presents the story of Wyczółkowska’s life, her scientific work, social commitment to women’s university education, and activities in the Polish American community.
This article presents an exchange of letters between Wacław Sierpiński and Paul Montel during the year 1945. This correspondence, translated here into English, provides insight into how and in what form the French learned about the dramatic fate of many Polish mathematician colleagues during the war. We also give a short biography of the two protagonists, as well as some facts about the mathematicians mentioned in the letters.
Medieval authors used an elaborate system of tools and techniques to organize texts in a transparent and orderly way. Toward the beginning of the 13th century, scribes adopted some of the old tools and put them to use in new functions. These measures are discernible, inter alia, in pastoral works devised to aid the clergy to carry out their duties more effectively. The goal of this paper is to analyse how the techniques were used on a microscale – in short texts of doctrinal importance – to convey complex theological notions in a visually clear and practical way.
The author’s goal is to add to the understanding of the issue of where the border line is that marks the passage from an enlarged copy (an augmented or developed version) of a given chronicle to an independent authorial entity. In this context a side question arises concerning the acceptability of textual borrowing in the face of medieval authorial practices and conventions, i.e. where compiling ends and falsifying begins. The aforementioned issues are discussed on the basis of five historiographical texts composed between the mid–thirteenth and the third quarter of the 15th cent. Their common denominator is their affinity with the famous Chronicle of Popes and Emperors by Martin the Pole (or of Oppavia). Examining the character of the borrowings, their ideological stance, and their political opinions, the author reaches the conclusion that it was not the copy–and–paste technique frequently employed by the chroniclers, but their intentions that decide whether the resulting works should be treated as new entities, sometimes even forgeries.
Within the Muséum national d’histoire naturelle of Paris, the assistant naturalists of the 19th century formed a particular class. These employees produced a large part of the institution’s collections, actively contributed to the work of the professors, and sometimes even participated in their renown. Nevertheless, these assistants were engulfed in the shadows of the scientists, to such an extent that many of them have completely disappeared from the memory of the Museum. In some cases, especially for life casts, their work is even attributed to the great personalities, often to professors. Assistant naturalists appear to be under–studied; yet the examination of these employees through their material productions would allow a better understanding of the Museum’s history and the development of its departments.
The paper is a discussion of P. M. S. Hacker, The Passions: A Study of Human Nature (2018). After a general presentation of the book I mostly focus on its first part, which deals with categories and concepts essential to the philosophy of the emotions. Next I pass on to two subsequent parts of the book devoted to particular emotions. After a brief overview I say more, by way of exemplification, on the chapter on love. I end with a final assessment.
Over the centuries since antiquity, nature writers have evaluated different animal species. One criterion for such an evaluation has been intellect. At the lowest point on the scale of intellectual abilities was stupidity. Ancient authors often attributed inadequate intellect to various animal species by using pejorative expressions. The aim of this study is to determine which animal species Greek and Roman writers considered as inferior in the hierarchy of intellectual abilities, and why these species were chosen in particular. Furthermore, the paper attempts to verify the evaluations formulated in antiquity in light of contemporary observations of nature.
Cataloguing of the natural world was started by the 16th–century scholar Ulisses Aldrovandi, who was inspired by overseas expeditions. Collectors of specimens, among whom were many doctors of medicine and pharmacists, noticed the possibilities for using exotic plants and animals in medicine. The first pharmacopoeias, however, contained very few of the previously unknown raw materials and they did not have a great impact on the contemporary therapeutic possibilities. In the Polish territories, the raw materials from the New World had already been recorded in Jan Woyna’s Krakow Pharmacopoeia of 1683, in which five American species were identified. By contrast, in the 18th–century Jesuit pharmacies, 30 such materials were already used, although they were not pharmacopoeial.
In the 18th century, in the Polish lands, an important role was played by duchess Anna Jabłonowska (1728–1800), who gathered one of the richest natural history collections in Europe in Siemiatycze in Podlasie. Thanks to her support, the Polish nature literature was enriched with numerous works that were of importance for the development of the natural sciences.
Lamarck and Cuvier built opposite theories concerning the origin of living beings, their links and fate. If they could agree on the bases of the animal classification, they drastically differed in their interpretations. Lamarck claimed the reality of the transformation of species, whereas Cuvier challenged and attacked him fiercely. The two naturalists competed strongly for the leading place in natural history at the beginning of the 19th century, dialoguing indirectly through their scientific papers, which need to be reviewed in light of this debate. Their polemical discussion shows some major issues in the emergent science of biology.
The fact that ethnographical collections, often ancient, are preserved in archaeological museums nowadays might not be obvious. The material culture of living societies is not, indeed, the priority of archaeologists, who are mainly interested in societies of the past. However, a museological and historical approach makes it possible to study these collections and highlight their differential management according to institutions and epistemological developments in the human sciences, since the middle of the 19th century.
The problem of evil is unavoidable and largely incomprehensible, and it is exactly for that reason that it is of great importance for our being. This aspect of Tischner’s philosophy can be successfully shown using the example of Andrei Srubov, the protagonist of The Chekist. By looking at Tischner’s agathology we receive hope that we are not doomed to be defeated by evil within our lifetime. What seems to be crucial in opposing evil is the realization that there is always a decision to be made.
Over the centuries since antiquity, nature writers have evaluated different animal species. One criterion for such an evaluation has been intellect. At the lowest point on the scale of intellectual abilities was stupidity. Ancient authors often attributed inadequate intellect to various animal species by using pejorative expressions. The aim of this study is to determine which animal species Greek and Roman writers considered as inferior in the hierarchy of intellectual abilities, and why these species were chosen in particular. Furthermore, the paper attempts to verify the evaluations formulated in antiquity in light of contemporary observations of nature.
Cataloguing of the natural world was started by the 16th–century scholar Ulisses Aldrovandi, who was inspired by overseas expeditions. Collectors of specimens, among whom were many doctors of medicine and pharmacists, noticed the possibilities for using exotic plants and animals in medicine. The first pharmacopoeias, however, contained very few of the previously unknown raw materials and they did not have a great impact on the contemporary therapeutic possibilities. In the Polish territories, the raw materials from the New World had already been recorded in Jan Woyna’s Krakow Pharmacopoeia of 1683, in which five American species were identified. By contrast, in the 18th–century Jesuit pharmacies, 30 such materials were already used, although they were not pharmacopoeial.
In the 18th century, in the Polish lands, an important role was played by duchess Anna Jabłonowska (1728–1800), who gathered one of the richest natural history collections in Europe in Siemiatycze in Podlasie. Thanks to her support, the Polish nature literature was enriched with numerous works that were of importance for the development of the natural sciences.
Lamarck and Cuvier built opposite theories concerning the origin of living beings, their links and fate. If they could agree on the bases of the animal classification, they drastically differed in their interpretations. Lamarck claimed the reality of the transformation of species, whereas Cuvier challenged and attacked him fiercely. The two naturalists competed strongly for the leading place in natural history at the beginning of the 19th century, dialoguing indirectly through their scientific papers, which need to be reviewed in light of this debate. Their polemical discussion shows some major issues in the emergent science of biology.
The fact that ethnographical collections, often ancient, are preserved in archaeological museums nowadays might not be obvious. The material culture of living societies is not, indeed, the priority of archaeologists, who are mainly interested in societies of the past. However, a museological and historical approach makes it possible to study these collections and highlight their differential management according to institutions and epistemological developments in the human sciences, since the middle of the 19th century.
The problem of evil is unavoidable and largely incomprehensible, and it is exactly for that reason that it is of great importance for our being. This aspect of Tischner’s philosophy can be successfully shown using the example of Andrei Srubov, the protagonist of The Chekist. By looking at Tischner’s agathology we receive hope that we are not doomed to be defeated by evil within our lifetime. What seems to be crucial in opposing evil is the realization that there is always a decision to be made.
Parmenides warns against inquiring on the dead–end way of non–being (ouk esti): it is impossible to know and speak of what–is–not (to mē eon). At DK 28 B 8.6–9, he denies that not–being can be treated as real, and that it can be considered in any reliable reasoning.
Melissus, in contrast, at DK 30 B 1 treats non– being as a possible state of affairs, as a possibility worth considering as a part of argumentation, though one from which generation remains impossible. This paper focuses on this radical shift regarding non–being between these two Eleatic thinkers, resulting in very different ways of seeing the world.
A real fascination with Greece arose in Germany at the end of the 18th century with the works of Winckelmann, the founder of scientific archeology. The subject of this text is the German nostalgia for Greece which developed at that time in the circle of the first romanticists and among the thinkers of German idealism. The emphasis will be put on three of the most important figures of German poetry and philosophy of this period: Schiller, Hegel and Hölderlin. But it will be shown that it is only with Hölderlin that for this idealized image of Greece a new image of Greece as profoundly divided between Occident and Orient was substituted.
This article intends to analyse the idea of prehistoric war in French anthropology during the 1914–1939 period. This work consists firstly in understanding how the First World War impacts the main periodical scientific publications concerning the subject of war itself and more precisely our object of study, prehistoric war. Next, the research is pursued in the scientific literature to find the structuring elements of the thought about warfare and identify the explanatory theories. In a third part, we analyse the comparative approach between prehistoric war and primitive war. The results emphasize a certain abandonment of the subject of prehistoric war, due mainly to the weakness of explanatory theories and the distance between the two different approaches, the one of prehistorians and the other of ethnologists.
Jesuit and palaeontologist Pierre Teilhard de Chardin died suddenly on the 4th of April, 1955, leaving a large part of his work unpublished. Throughout the rest of the year, the press announced the imminent publication of The Phenomenon of Man, presented as the scientific side of his work. By fall, the book was published, accompanied by an impressive list of prestigious signatures. But over time, this tacit consensus loses its vigour and the question of the book’s scientific nature makes a strong comeback. The first interrogations arise in the early 1960s. These interrogations sometimes concern his scientific work, sometimes his philosophical–theological work, but almost never the man himself. To follow the reception of The Phenomenon of Man comes down to following the line drawn by Teilhardism. This ism is associated with Teilhard de Chardin’s thought, which takes its shape at the heart of the Glorious Thirty in France, before setting alight many other countries, and which seems to decline after crossing the threshold of 1965.
The main aim of this article is to reflect on the status of ecomuseums in China. There have been both ecomuseums and discourse about them for many years in China. However, despite the existence of academic literature on ecomuseums and therefore to the general theory of ecomuseums, from some points of view Chinese ecomuseums do not seem to be aligned with general ecomuseum principles. This article reflects both on how well ecomuseums in China fit the ecomuseum characteristics defined by the theory and, ultimately, on what we can learn from the Chinese experience. Our discussion is developed on the basis of both the existing academic literature and interviews conducted by the authors.
Parmenides warns against inquiring on the dead–end way of non–being (ouk esti): it is impossible to know and speak of what–is–not (to mē eon). At DK 28 B 8.6–9, he denies that not–being can be treated as real, and that it can be considered in any reliable reasoning.
Melissus, in contrast, at DK 30 B 1 treats non– being as a possible state of affairs, as a possibility worth considering as a part of argumentation, though one from which generation remains impossible. This paper focuses on this radical shift regarding non–being between these two Eleatic thinkers, resulting in very different ways of seeing the world.
A real fascination with Greece arose in Germany at the end of the 18th century with the works of Winckelmann, the founder of scientific archeology. The subject of this text is the German nostalgia for Greece which developed at that time in the circle of the first romanticists and among the thinkers of German idealism. The emphasis will be put on three of the most important figures of German poetry and philosophy of this period: Schiller, Hegel and Hölderlin. But it will be shown that it is only with Hölderlin that for this idealized image of Greece a new image of Greece as profoundly divided between Occident and Orient was substituted.
This article intends to analyse the idea of prehistoric war in French anthropology during the 1914–1939 period. This work consists firstly in understanding how the First World War impacts the main periodical scientific publications concerning the subject of war itself and more precisely our object of study, prehistoric war. Next, the research is pursued in the scientific literature to find the structuring elements of the thought about warfare and identify the explanatory theories. In a third part, we analyse the comparative approach between prehistoric war and primitive war. The results emphasize a certain abandonment of the subject of prehistoric war, due mainly to the weakness of explanatory theories and the distance between the two different approaches, the one of prehistorians and the other of ethnologists.
Jesuit and palaeontologist Pierre Teilhard de Chardin died suddenly on the 4th of April, 1955, leaving a large part of his work unpublished. Throughout the rest of the year, the press announced the imminent publication of The Phenomenon of Man, presented as the scientific side of his work. By fall, the book was published, accompanied by an impressive list of prestigious signatures. But over time, this tacit consensus loses its vigour and the question of the book’s scientific nature makes a strong comeback. The first interrogations arise in the early 1960s. These interrogations sometimes concern his scientific work, sometimes his philosophical–theological work, but almost never the man himself. To follow the reception of The Phenomenon of Man comes down to following the line drawn by Teilhardism. This ism is associated with Teilhard de Chardin’s thought, which takes its shape at the heart of the Glorious Thirty in France, before setting alight many other countries, and which seems to decline after crossing the threshold of 1965.
The main aim of this article is to reflect on the status of ecomuseums in China. There have been both ecomuseums and discourse about them for many years in China. However, despite the existence of academic literature on ecomuseums and therefore to the general theory of ecomuseums, from some points of view Chinese ecomuseums do not seem to be aligned with general ecomuseum principles. This article reflects both on how well ecomuseums in China fit the ecomuseum characteristics defined by the theory and, ultimately, on what we can learn from the Chinese experience. Our discussion is developed on the basis of both the existing academic literature and interviews conducted by the authors.
Marian Smoluchowski was a prominent Polish physicist whose greatest achievement was the development – independently of Albert Einstein – of the mathematical theory of Brownian motion. In his theoretical view of the problem of Brownian motion Smoluchowski employed the concept of causal relevance, which was never analysed in numerous publications devoted to his scientific achievement. In this article I am attempting to demonstrate that the concept of causal relevance which Smoluchowski employed in his works devoted to the issue of Brownian motion may be interpreted as analogous to the concept of causal relevance articulated by Max Kistler. I present a number of arguments which demonstrate that just such a concept of causal relevance was established by Smoluchowski. Since the explanation of the phenomenon of Brownian motion presented by Smoluchowski has been universally accepted, so in the same way the physicalistic concept of causal relevance has been widely propagated. In this I detect Smoluchowski’s contribution to the philosophy of causality.
Discovered in August 1922 by the Count of Saint–Périer and given to the laboratory of Paleontology in the National Museum of Natural History of Paris a few months later, the Venus of Lespugue can be seen as a major Palaeolithic work. A lot of theories have tried to explain its meaning and function in Palaeolithic society, but its biography within the museum still remained to be done. This biography will help to examine the situation of the whole of Prehistory within the National Museum of Natural History, to understand the evolution of this institution during the last century, and to reevaluate the rank of masterpiece that has been attributed to the Venus in the new Musée de l’Homme.
Scientific networks played an important role in the construction of Belgian prehistory. Among the emblematic figures of the European prehistoric scene was Louis Laurent Gabriel de Mortillet. In the years that followed his return from exile, the relations which the French prehistorian wove with the Belgian intelligentsia developed continuously. It reached its climax during the organization of the Congrès d’Anthropologie et d’Archéologie préhistoriques held in Brussels in 1872. Indeed, the latter placed Belgian prehistoric researches at the front of international science. Afterward the relations of Gabriel de Mortillet with Belgium continued on a permanent basis. In 1891, during his trip to Belgium with his students of the École d’Anthropologie de Paris, he met a large part of the Belgian prehistorians. Therefore, this article aims to seek the construction of Gabriel de Mortillet’s Belgian network and its impact on the young prehistoric science of Belgium.
Based on a case study, this paper aims to examine the scientific, industrial and political interests that intertwine at the 1878 Paris World’s Fair. We will focus on a graphic composition that was elaborated from various copies of rock art presented in several pavilions of the Exhibition and published by a science magazine. This figure was composed to compare the artistic capacities of European prehistoric and African contemporary primitives, all belonging, in the discourse of the French anthropologists, to the same race. The article considers the construction of anthropology in public space as a science claiming to be capable of analysing racial relationships in their environment and therefore capable of scientifically directing the French colonial project.
The inheritance of acquired characteristics seems to be a trendy hypothesis in the fields of biological and cultural evolution, despite the fact that it has already been refuted many times, and has been shown inconsistent with all the available knowledge accumulated. This paper presents its failure, and its logical and factual inferiority to multilevel selection, offering new hypotheses explaining its attractive power. The argumentation aims to prove that the biological variations (genetic mutations) and cultural variations (intellectual innovations) are certainly not changes directed by the environment, but are analogous to stochastic changes which are closely channeled by many selective screens, according to the synergic theory of evolution and the synergic theory of the human sciences and their core, multilevel selection.
This paper presents and discusses the main ideas of August Cieszkowski set forth in his Ojcze–Nasz [Our Father]. This treatise, presently known only to historians of Polish philosophy and historians of ideas, is one of the best examples worldwide of messianic consciousness and approach and, simultaneously, an original attempt to unite philosophy (social philosophy and the dialectical method) with religion. One of the tasks of historians of Polish philosophy is to disseminate the most significant works of older Polish thinkers and make them known internationally. Such then is the aim of this paper. The final sections additionally present contemporary disputes emerging in Poland as to the interpretation of Our Father and my position in these disputes as one of its active participants.
This paper offers an outline of practical and theoretical relations between truth and rhetoric. A point of departure for considerations to follow are philosophical theories of the sophists, Plato, and Aristotle as well as modern commentators of political rhetoric. I argue that the predominantly rhetorical nature of contemporary culture is inextricably bound up with the controversial issue of political deception, its definition and function. I refer to the theories of Hannah Arendt and Jacques Derrida pertaining to the following issues: a relation between acting and lying, mass deception, and self–deception in totalitarian states. I further propose that classical ethics developing from Plato, Aristotle and Kant fails as a basis for the analysis of political and social processes in democratic societies. Key to grasping these processes is rhetoric – as an art of persuasion – which has nothing to do with the traditional true–false dichotomy.
The paper is a reconsideration of the second part of the chariot allegory (Phdr. 253e5–255a1). After presenting a rationale and status quæstionis I analyse what Plato says about the lover’s soul when he meets his beloved. As a result a new interpretation is offered. It departs from orthodox and common read- ings because I suggest that (i) the charioteer, the good horse and the bad horse stand not only for, respectively, reason, spirit and appetite, and that (ii) thinking, feeling and desiring should be ascribed not only to, respectively, the charioteer, the good and the bad horse. It is rather that each element of the psyche con- tains a kind of rationality, a kind of affectivity, and a kind of appetite, and, each of the three functions belongs to each of the three elements of the soul. The inward differentiation of kinds of functions should be understood by means of hierarchy.
Marian Smoluchowski was a prominent Polish physicist whose greatest achievement was the development – independently of Albert Einstein – of the mathematical theory of Brownian motion. In his theoretical view of the problem of Brownian motion Smoluchowski employed the concept of causal relevance, which was never analysed in numerous publications devoted to his scientific achievement. In this article I am attempting to demonstrate that the concept of causal relevance which Smoluchowski employed in his works devoted to the issue of Brownian motion may be interpreted as analogous to the concept of causal relevance articulated by Max Kistler. I present a number of arguments which demonstrate that just such a concept of causal relevance was established by Smoluchowski. Since the explanation of the phenomenon of Brownian motion presented by Smoluchowski has been universally accepted, so in the same way the physicalistic concept of causal relevance has been widely propagated. In this I detect Smoluchowski’s contribution to the philosophy of causality.
Discovered in August 1922 by the Count of Saint–Périer and given to the laboratory of Paleontology in the National Museum of Natural History of Paris a few months later, the Venus of Lespugue can be seen as a major Palaeolithic work. A lot of theories have tried to explain its meaning and function in Palaeolithic society, but its biography within the museum still remained to be done. This biography will help to examine the situation of the whole of Prehistory within the National Museum of Natural History, to understand the evolution of this institution during the last century, and to reevaluate the rank of masterpiece that has been attributed to the Venus in the new Musée de l’Homme.
Scientific networks played an important role in the construction of Belgian prehistory. Among the emblematic figures of the European prehistoric scene was Louis Laurent Gabriel de Mortillet. In the years that followed his return from exile, the relations which the French prehistorian wove with the Belgian intelligentsia developed continuously. It reached its climax during the organization of the Congrès d’Anthropologie et d’Archéologie préhistoriques held in Brussels in 1872. Indeed, the latter placed Belgian prehistoric researches at the front of international science. Afterward the relations of Gabriel de Mortillet with Belgium continued on a permanent basis. In 1891, during his trip to Belgium with his students of the École d’Anthropologie de Paris, he met a large part of the Belgian prehistorians. Therefore, this article aims to seek the construction of Gabriel de Mortillet’s Belgian network and its impact on the young prehistoric science of Belgium.
Based on a case study, this paper aims to examine the scientific, industrial and political interests that intertwine at the 1878 Paris World’s Fair. We will focus on a graphic composition that was elaborated from various copies of rock art presented in several pavilions of the Exhibition and published by a science magazine. This figure was composed to compare the artistic capacities of European prehistoric and African contemporary primitives, all belonging, in the discourse of the French anthropologists, to the same race. The article considers the construction of anthropology in public space as a science claiming to be capable of analysing racial relationships in their environment and therefore capable of scientifically directing the French colonial project.
The inheritance of acquired characteristics seems to be a trendy hypothesis in the fields of biological and cultural evolution, despite the fact that it has already been refuted many times, and has been shown inconsistent with all the available knowledge accumulated. This paper presents its failure, and its logical and factual inferiority to multilevel selection, offering new hypotheses explaining its attractive power. The argumentation aims to prove that the biological variations (genetic mutations) and cultural variations (intellectual innovations) are certainly not changes directed by the environment, but are analogous to stochastic changes which are closely channeled by many selective screens, according to the synergic theory of evolution and the synergic theory of the human sciences and their core, multilevel selection.
This paper presents and discusses the main ideas of August Cieszkowski set forth in his Ojcze–Nasz [Our Father]. This treatise, presently known only to historians of Polish philosophy and historians of ideas, is one of the best examples worldwide of messianic consciousness and approach and, simultaneously, an original attempt to unite philosophy (social philosophy and the dialectical method) with religion. One of the tasks of historians of Polish philosophy is to disseminate the most significant works of older Polish thinkers and make them known internationally. Such then is the aim of this paper. The final sections additionally present contemporary disputes emerging in Poland as to the interpretation of Our Father and my position in these disputes as one of its active participants.
This paper offers an outline of practical and theoretical relations between truth and rhetoric. A point of departure for considerations to follow are philosophical theories of the sophists, Plato, and Aristotle as well as modern commentators of political rhetoric. I argue that the predominantly rhetorical nature of contemporary culture is inextricably bound up with the controversial issue of political deception, its definition and function. I refer to the theories of Hannah Arendt and Jacques Derrida pertaining to the following issues: a relation between acting and lying, mass deception, and self–deception in totalitarian states. I further propose that classical ethics developing from Plato, Aristotle and Kant fails as a basis for the analysis of political and social processes in democratic societies. Key to grasping these processes is rhetoric – as an art of persuasion – which has nothing to do with the traditional true–false dichotomy.
The paper is a reconsideration of the second part of the chariot allegory (Phdr. 253e5–255a1). After presenting a rationale and status quæstionis I analyse what Plato says about the lover’s soul when he meets his beloved. As a result a new interpretation is offered. It departs from orthodox and common read- ings because I suggest that (i) the charioteer, the good horse and the bad horse stand not only for, respectively, reason, spirit and appetite, and that (ii) thinking, feeling and desiring should be ascribed not only to, respectively, the charioteer, the good and the bad horse. It is rather that each element of the psyche con- tains a kind of rationality, a kind of affectivity, and a kind of appetite, and, each of the three functions belongs to each of the three elements of the soul. The inward differentiation of kinds of functions should be understood by means of hierarchy.