The aim of the article is to analyze the missionary action of the Orthodox Church undertaken among Greek Catholics in the Recovered Territories of Poland following World War II. As a result of “Operation Vistula” the Orthodox and Greek Catholic population was settled in the Recovered Territories. As a result of the communist policy implemented by the communist authorities, the Orthodox Church took action to provide religious care to Greek Catholics. This policy was aimed at significantly weakening the Greek Catholic Church. It was also hoped that it would be liquidated. Despite the attempts made, the Greek Catholics preserved their identity, and after 1956 they began the process of building their own parish structure.

Christian Orders in Contemporary Protestantism. Outline of the Problem on the Example of the Female Community from Grandchamp

The article concentrates on the renewal of monastic life in the European evangelical churches after 1945. The Reformation, initiated by the speech of Martin Luther (1483–1546), brought about great changes in this respect, questioning the current principles of the presence of the monk’s life in the Christian community. Criticism of religious life, formulated by the father of the Wittenberg Reformation, was undertaken by both Ulrich Zwingli (1484–1531) and John Calvin. Until the 19th century, monasticism had not seen rehabilitation of the churches that emerged in the wake of the Reformation. This did not mean, however, that it was completely forgotten. Due to renewal movements, including radical Pietism, which in the 17th and 18th centuries became popular in Protestant Europe, monastic issues returned. Eminent figures in the history of Christianity were discovered. Their world of faith and personal experience was mediated through community life, based on prayer rules and practices known since the time of the original church. At the same time in France, Germany and England a return to the abandoned ways of implementing Christian life began. The article analyses the inspiring community of Grandchamp to indicate the way tradition in the churches deriving from the Reformation has been discovered and re-read.

This paper discusses the phenomenon of Kāpil Maṭh (Madhupur, India), a Sāṃkhyayoga āśrama founded in the early twentieth century by the charismatic Bengali scholar-monk Swāmi Hariharānanda Ᾱraṇya (1869–1947). While referring to Hariharānanda’s writings I will consider the idea of the re-establishment of an extinct spiritual lineage. I shall specify the criteria for identity of this revived Sāṃkhyayoga tradition by explaining why and on what assumptions the modern reinterpretation of this school can be perceived as continuation of the thought of Patañjali and Īśvarakṛṣṇa. The starting point is, however, the question whether it is possible at all to re-establish a philosophical tradition which had once broken down and disappeared for centuries. In this context, one ought to ponder if it is likely to revitalise the same line of thinking, viewing, philosophy-making and practice in accordance with the theoretical exposition of the right insight achieved by an accomplished teacher, a master, the founder of a “new”revived tradition declared to maintain a particular school identity. Moreover, I refer to a monograph of Knut A. Jacobsen (2018) devoted to the tradition of Kāpil Maṭh interpreted as a typical product of the nineteenth-century Bengali renaissance.

In the present paper an attempt will be made toward interpreting selected stanzas from the work of Nārāyaṇa Guru (1854–1928), a mystic and social reformer from Kerala. In his Malayalam work the Kuṇḍalinī Pāṭṭŭ (The Song of the Kundalini Snake), Guru depicted an ancient yogic concept of Kuṇḍalinī, a coiled power residing in the state of sleep within the subtle energy centre (mūlādhāra) situated at the base of the central body channel (suṣumnā). The very same concept appears in many other works by Nārāyaṇa Guru, including Śiva Śatakam (One Hundred Stanzas on Śiva). An analysis of these stanzas in the light of the Siddha tradition (Tirumandiram by Tirumūlar) reveals that not only has the Kuṇḍalinī concept been borrowed from the Dravidian literature, Nārāyaṇan introduces the Tamil Siddhas’style of description of mystic experiences to his philosophical works, using metaphorical-twilight language which excludes the possibility of univocal interpretation.

The focus of this article is on the spatial aspect of the daily temple rites of Gauḍīẏa Vaiṣṇavism. The study is a contribution to theoretical reflection on rituals and their role within religious systems. Studies on rituals as multi-media entities have tended to concentrate on “visible”aspects of ritual such as objects, actors or symbols, while ritual space has often been neglected. However, in this essay, I would like to show that ritual space may operate as an interactive “field of ritual,”which structures the conduct of practitioners and is subsequently structured by them. The text is modelled as an interpretative case-study grounded in field research performed in a Gauḍīẏa Vaiṣṇava temple in Kolkata. The goal of the article is to develop a theoretical approach appropriate for this particular set of data which, nevertheless, could serve as an inspiration for theorizing in analogical cases.

For a long time, the world thought that the collapse of the USSR in 1991 would lead to a similar outcome in North Korea. Although the Kim regime suffered harsh economic troubles, it was able to distance itself from communism without facing an ideological crisis and losing mass support. The same core political myths are still in use today. However, after the DPRK left the ideas of socialist realism behind, it has become clearer that the ideology of the country is a political religion. Now, its propaganda is using more supernatural elements than ever before. A good example is the movie The Big-Game Hunter (Maengsu sanyangkkun) in which the Japanese are trying to desacralize Paektu Mountain, but instead experience the fury of the holy mountain in the form of thunderbolts. The movie was produced in 2011 by P’yo Kwang, one of the most successful North Korean directors. It was filmed in the same year Kim Chŏng-ŭn came to power. The aim of the paper is to show the evolution of the DPRK political myth in North Korean cinema, in which The Big-Game Hunter seems to be another step in the process of mythologization. It is crucial to understand how the propaganda works, as it is still largely the cinema that shapes the attitudes and imagination of the people of the DPRK.