Prace Etnograficzne, Tom 43, Numer 1, 2015, s. 1 - 12
https://doi.org/10.4467/22999558.PE.15.001.4272Prace Etnograficzne, Tom 43, Numer 1, 2015, s. 13 - 24
https://doi.org/10.4467/22999558.PE.15.002.4273Prace Etnograficzne, Tom 43, Numer 1, 2015, s. 25 - 38
https://doi.org/10.4467/22999558.PE.15.003.4274Prace Etnograficzne, Tom 43, Numer 1, 2015, s. 39 - 51
https://doi.org/10.4467/22999558.PE.15.004.4275Prace Etnograficzne, Tom 43, Numer 1, 2015, s. 53 - 65
https://doi.org/10.4467/22999558.PE.15.005.4276Prace Etnograficzne, Tom 43, Numer 1, 2015, s. 67 - 78
https://doi.org/10.4467/22999558.PE.15.006.4277Słowa kluczowe: cultural memory, communicative memory, post-memory, Silesians, democratization of memory, identity politics., German minority, auto and heterostereotype, Prussia, Gdańsk Pomerania, German pride., cultural heritage, bullfight, Spain, strategies of valorization, Pentauro, art history, nationalism, Scepusium (Spisz), early modern art, popular literature, Interwar period, folk art, Polish People’s Republic, Europa Środkowa., regional room, collecting activities, Zaolregional room, Zaolzie, Polish minority in Czech Republic, collective memory, Polish Cultural and Educational Association in Czech Republic., Nigguns, chassidic music, chassidic dances.