Tom 41, Numer 1

2013

Data publikacji: 28.02.2013

Opis

"Prace Etnograficzne" wychodzą od roku 1963. Od początków wydawnictwo prezentowało dorobek pracowników Katedry Etnografii Słowian i obecnego Instytutu Etnologii i Antropologii Kulturowej. Informuje też o działalności naukowo-organizacyjnej publikując materiały z sesji i konferencji organizowanych przez jednostkę. Od początku lat 90. zeszłego wieku zeszyty mają charakter profilowany tematycznie i przybrały postać wydawnictwa ciągłego. Spośród starszych numerów tematycznych warto przypomnieć zeszyty poświęcone historii muzealnictwa etnograficznego w Polsce, darowi, etnografii wśród nauk humanistycznych, pragmatyce wypowiedzi w etnografii. Ostatnie numery poświęcono słowiańskim symbolom narodowym, pamięci PRL-u, etniczności

Licencja: Żadna

Redakcja

Sekretarz redakcji Patrycja Trzeszczyńska

Asystentka redaktora tomu Agnieszka Marczak

Redaktor tomu Patrycja Trzeszczyńska

Zawartość numeru

Współczesna plastyka ludowa jako konwencja – uzupełnienia po latach

Czesław Robotycki

Prace Etnograficzne, Tom 41, Numer 1, 2013, s. 1 - 13

https://doi.org/10.4467/22999558.PE.13.001.1030

Contemporary folk arts as a convention – supplement after years of

This article is an attempt to answer the question of how folk art existence in contemporary society. The first part presents the broad context European tradition of the study of art. Conceptual frame of thinking about art has been developed primarily by philosophers and art historians. In the nineteenth century art begins to function in a new context, as a result of the transformation of civilization, social and economic. For this change is highly influenced by surrealist ideological program. It is his case was undermined dichotomy: high art and low art. In the second part the author presents the mutual influences of surrealism and ethnology, which resulted in interest in primitive art, and her new research perspective. The third part of the article is the diagnosis: difficult to define term „folk art” has become a convention. It is a symptome of changing meaning and decay of traditional folk culture.

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Создание и функционирование афганской семьи в Беларуси (начало ХХІ в.)

Stepan Sturejko

Prace Etnograficzne, Tom 41, Numer 1, 2013, s. 15 - 27

https://doi.org/10.4467/22999558.PE.13.002.1031

Establishing and functioning of the Afghan family in Belarus

This article is dedicated to detection of family traditions among the Afghans in modern Belarusian environment. The research is based on results of a field work conducted mainly in Belarus in 2009-2012 (it covered 93 informants). It consisted from a series of structured interviews with Afghans who arrived in Belarus and was able to speak Russian. Afghans who failed to learn the language passed a survey. Also I made a series of interviews with a number of Belarusian citizens who are in close cooperation with Afghans.

Family traditions include a wide range of wedding, maternity and funeral traditions, the idea of choosing a spouse, an organization of family life and raising of children. In accordance to the results of survey 52% of Afghans perform traditional rituals of family cycle (mostly positive answer was given by a woman). Within the Belarusian society traditional family rituals are passed significant simplification in comparison with those described in ethnographic research made in Afghanistan

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Etniczność w Internecie. Analiza treści serwisów internetowych wybranych organizacji łemkowskich

Urszula Sobczyk

Prace Etnograficzne, Tom 41, Numer 1, 2013, s. 29 - 41

https://doi.org/10.4467/22999558.PE.13.003.1032

Ethnicity on the Internet.
Analysis of the content of websites of selected Lemkos organizations.

The Lemkos are an antagonized internally ethnic minority. The beginning of the division dates back to midnineteenth century, when almost simultaneously began to form the Ukrainian national identity and the Lemko separatism. It is also explicitly on the basis of the Lemko organizations created on the wave of democratic changes in Poland. Using of virtual ethnography methodology to analyze the content of websites of three of them: the Lemko Association, the Lemkos Federation and the Association of Ruska Bursa in Gorlice enables to capture significant, not shown explicitly, the differences in outlook, orientation of identity, construction of arguments, embarking strategy, the language used to simultaneous reference to the common universe – the Lemko Land. The Lemko Federation promoting Ukrainian national identity and the Lemko identity is recognized in terms of the regional identity. Two other one associate people with Lemko identity, emphasizing membership to the group of Carpatho-Rusyns. In their e-transmission they show a background of internal conflicts, formulate evaluative judgments and reveal strong emotions.

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Narodziny „mitu smoleńskiego”

Paweł Sendyka

Prace Etnograficzne, Tom 41, Numer 1, 2013, s. 43 - 50

https://doi.org/10.4467/22999558.PE.13.004.1033

How the “Smolensk myth” was born...

After the presidential air plane crash near Smolensk, in Russia, on April 10th 2010, we had all witnessed a transformation of this historical event into a myth. The aim of this article is to document this transformation, by following the different types of narratives after the crash (news articles, blogs, films), especially in its immediate aftermath. The analysis of these sources shows that the “Smolensk myth” has been born, fully formed (with all the ideas and motifs we can see today), almost immediately after the crash.

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Artysta, tłumacz, autorytet? – próby zdefiniowania profesji kuratora

Katarzyna Maniak

Prace Etnograficzne, Tom 41, Numer 1, 2013, s. 51 - 61

https://doi.org/10.4467/22999558.PE.13.005.1034

An Artist, an Interpreter, an Authority? - searching for a definition

The curator has traditionally been defined as a custodian, a person having control and taking care of a collection, and often, a researcher and scientist. In the 70s, a new form of curatorial activities was developed - a figure of an independent curator who is responsible for the form and content of artistic events. This article analyses the profiles of an independent curator and her/his relations with artists. The dissertation also tries to define the curator as an interpreter and a person who has the authority and the power of legitimization.

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Pliki do pobrania

Spis treści PDF

Słowa kluczowe: folk art, convention, traditional folk culture, Afghans, family traditions, field work, Belarus, the Lemkos, the Internet, virtual ethnography, identity, self-presentation, conflict, myth, Smolensk crash, hero, president, mythologizing, an artist, an interpreter, an authority, a curator, creator of meanings

Tom 41, Numer 1

2013 Następne

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2013