Data publikacji: 2020
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from the funds of the Minister of Science and Higher Education for popularisation of science.
Licencja:
CC BY-NC-ND
Redakcja
Redaktor naczelny Sławomir Torbus
Sekretarz redakcji Bernadeta Klepacz
Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 5 - 23
https://doi.org/10.4467/23537094KMMUJ.20.041.13914Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 25 - 68
https://doi.org/10.4467/23537094KMMUJ.20.042.13915Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 69 - 102
https://doi.org/10.4467/23537094KMMUJ.20.043.13916Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 103 - 137
https://doi.org/10.4467/23537094KMMUJ.20.044.13917Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 139 - 155
https://doi.org/10.4467/23537094KMMUJ.20.045.13918Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 157 - 176
https://doi.org/10.4467/23537094KMMUJ.20.046.13919Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 177 - 195
https://doi.org/10.4467/23537094KMMUJ.20.047.13920Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 197 - 213
https://doi.org/10.4467/23537094KMMUJ.20.048.13921Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 215 - 227
https://doi.org/10.4467/23537094KMMUJ.20.049.13922Kwartalnik Młodych Muzykologów UJ, Issue 47 (4/2020), English Issues, s. 229 - 253
https://doi.org/10.4467/23537094KMMUJ.20.050.13923Słowa kluczowe: music and topics, theories of musical topos, content of a music work, musical semantics, topical music analysis, Bernardo Pasquini, partimento, basso continuo, harpsichord, fugue, Pietro Antonio Locatelli, Jean-Marie Leclair, violin music, musical duels, violin concerto, Józef Wieniawski, Henryk Wieniawski, Polish music, Ruggero Leoncavallo, I Medici, Italian opera, veristic opera, verismo, Literaturoper, contemporary opera, libretto, librettology, Aleksander Nowak, Olga Tokarczuk, Spatial music, spatiality, the metaphor of movement, carnality, musical experience, Łódź Ghetto, Holocaust, cultural life, World War II, Jewish music, instrumental music, John Zorn, Radical Jewish Culture, contemporary music, Piano-playing technique, piano skills, pianist’s hand