The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
cytuj
pobierz pliki
RIS BIB ENDNOTEWybierz format
RIS BIB ENDNOTEThe Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
Data publikacji: 2020
Kwartalnik Młodych Muzykologów UJ, English Issues, Issue 47 (4/2020), s. 215 - 227
https://doi.org/10.4467/23537094KMMUJ.20.049.13922Autorzy
The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
The main purpose of this paper is to describe John Zorn’s approach to klezmer music and Jewish music tradition in general. The text has been divided into shorter sections. The first part of the article is dedicated to providing an overview of problems concerning the definition of Jewish music. The second part focuses on analysing klezmer motifs in John Zorn’s selected works and Jewish symbols present in the visual component of his recording projects. The last section contains a summary and conclusions.
Barzel, T., New York Noise: Radical Jewish Music and the Downtown Scene (Indiana UP: Bloomington, 2015).
Bohlman, P.V., Jewish Music and Modernity (Oxford University Press: Oxford, 2013).
Brackett, J.,John Zorn: Tradition and Transgression (Indiana UP: Bloomington, 2008).
Cohen, J.M., ‘Jews and Music’, Oxford Bibliographies, https://www.oxfordbibliographies.com/ view/document/obo-9780199840731/obo-9780199840731-0063.xml, accessed 13 May 2021.
Cohen, J.M., Whither Jewish Music? Jewish Studies Music Scholarship, and the Tilt Between Seminary and University (Cambridge University Press: Cambridge, 2008).
Cuthbert, M., ‘Free improvisation: John Zorn and the Construction of Jewish Identity through Music’, in K.K. Shelemay, ed., Studies in Jewish Musical Traditions. Insights from the Harvard Collection of Judaica Sound Recordings (Harvard College Library: Cambridge, 2001).
Knapp, A., ‘Conceptualizing “Jewish Art Music” While Standing on One Leg: A Scholar’s Dilemma’, Journal of the American Musicological Society, 65 (2) (2012), 557–592.
Kim, P.C., ‘Transmission of Music in the Hebrew Tradition: Learning from the Songs of the Synagogue’, The Bulletin of Historical Research in Music Education, 19 (1) (1997), 40–51.
Rogovoy S., The Essential Klezmer. A Music Lover’s Guide to Jewish Roots and Soul Music, from the Old World and the Jazz Age to the Downtown Avant-Garde (Algonquin Books of Chapel Hill: New York, 2000).
Zorn J., ‘Scene by scene’, interview by. L. Blumenfeld, Jazziz, 8 (1999), 12–13.
Internet Sources
Schray, M., ‘Shofar: Ha-Huncvot (Kilogramm, 2013)’, CD review, Freejazzblog.com, 8 July 2013, https://www.freejazzblog.org/2013/07/shofar-ha-huncvot-kilogramm-2013.html, accessed 12 June 2020.
Sztyma, T., ‘Duma, zabawa i milczenie’, interview by I. Świerkowska, https://www.dwutygodnik.com/artykul/6988-duma-zabawa-i-milczenie.html?print=1, accessed 5 August 2019.
Zorn, J., ‘Radical Jewish Culture’, http://www.tzadik.com/rjc_info.html,accessed 22 June 2019.
Informacje: Kwartalnik Młodych Muzykologów UJ, English Issues, Issue 47 (4/2020), s. 215 - 227
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
Uniwersytet Warszawski, ul. Krakowskie Przedmieście 30, 00-927 Warszawa, Polska
Publikacja: 2020
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
Udział procentowy autorów:
Korekty artykułu:
-Języki publikacji:
AngielskiLiczba wyświetleń: 897
Liczba pobrań: 810