Data publikacji: 04.12.2017
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from the funds of the Minister of Science and Higher Education for popularisation of science.
Licencja:
CC BY-NC-ND
Redakcja
Redaktor naczelny Sławomir Torbus
Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 5-27
https://doi.org/10.4467/23537094KMMUJ.17.001.7830Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 29-56
https://doi.org/10.4467/23537094KMMUJ.17.002.7831Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 57-75
https://doi.org/10.4467/23537094KMMUJ.17.003.7832Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 77-88
https://doi.org/10.4467/23537094KMMUJ.17.004.7833Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 89-107
https://doi.org/10.4467/23537094KMMUJ.17.005.7834Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 109-123
https://doi.org/10.4467/23537094KMMUJ.17.006.7835Kwartalnik Młodych Muzykologów UJ, Issue 32 (1/2017), English Issues, s. 125-173
https://doi.org/10.4467/23537094KMMUJ.17.007.7836Słowa kluczowe: Jane Wilhelmina Stirling, Fryderyk Chopin, Romantic music, Chopin’s legacy, Nicolaus de Radom, Johannes Ciconia, Antonio Zacara de Teramo, ars nova, mass, Leone Leoni, small-scale concerto, madrigal, early Baroque, Zbigniew Turski, II Sinfonia Olimpica, socialist realism, polystylism, intertextuality, John Corigliano, Circus Maximus, contemporary American music, Julio Estrada, discontinuum-continuum, macro-timbre, contemporary Mexican music, KL Auschwitz-Birkenau, musical sources, Holocaust Music, Music and Politics, Auschwitz-Birkenau State Museum