Publication date: 30.06.2022
Publikacja dofinansowana przez Uniwersytet Jagielloński ze środków Instytutu Dziennikarstwa, Mediów i Komunikacji Społecznej oraz Wydziału Zarządzania i Komunikacji Społecznej.
Licence:
CC BY-NC-ND
Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 11 - 26
https://doi.org/10.4467/22996362PZ.22.013.15604Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 27 - 44
https://doi.org/10.4467/22996362PZ.22.014.15605Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 45 - 62
https://doi.org/10.4467/22996362PZ.22.015.15606Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 63 - 79
https://doi.org/10.4467/22996362PZ.22.016.15607Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 81 - 91
https://doi.org/10.4467/22996362PZ.22.017.15608Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 93 - 108
https://doi.org/10.4467/22996362PZ.22.018.15609Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 109 - 111
Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 113 - 117
Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 119 - 121
Międzynarodowa konferencja naukowa „Media a polityka w Europie XX i XXI wieku”, Warszawa, 17.11.2021
Media Research Issues, Volume 65, Issue 2 (250), 2022, pp. 123 - 127
Słowa kluczowe: Ukraine, war, reportage, literary reporting, war reporting, Eastern Ukraine, Artem Czech, Paweł Pieniążek, parliamentary campaign, political communication, negativity, personalization, press, hologram, immersive media, MediaPolis, simulacra, new ways of communication in politics, image of politicians, COVID-19 pandemic, communication, higher education system, social media, professional communicators, communication, videoconferencing, telecommunication, pandemic, films, vampire, religion, media, popular culture, literature, film, series, Netflix