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Volume 49 Issue 3

2016 Next

Publication date: 17.11.2016

Licence: None

Editorial team

Issue editor Elżbieta Przybył-Sadowska

Issue content

Maciej Potz

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 203-218

https://doi.org/10.4467/20844077SR.16.014.5872
Throughout nearly two ages of its history, and especially in the 19th century, Mormonism has experienced numerous cases of dissent and schism. Analysis of their sources reveals that, among a number of doctrinal, ritual, organisational and other issues, the single most important cause of schism was conflicts over authority. These power struggles are explained – within a theoretical framework derived from the theory of social exchange – as balancing operations intended to improve the actors’ position in unequal exchange relations: to be able to obtain the valuable religious goods at a lower price (i.e. less or no submission).
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Fryderyk Kwiatkowski

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 219-230

https://doi.org/10.4467/20844077SR.16.015.5873

The paper examines representations of robots in several films: Bicentennial Man (1999), Star Trek: Nemesis (2002) and Chappie (2015) in the light of the Christian concept of imago Dei. According to Victoria Nelson, in the last 50 years artificial intelligence in pop-culture works has frequently been presented as holiness. Her interpretation can be linked with the outcome of research of scholars, who revealed that the Euro-American view on technology is deeply rooted in Christian thought. The author’s main line of argument is embedded in Noreen Herzfeld’s observation, which demonstrated the striking similarities between the relational approach to research into artificial intelligence and the relational interpretation of the notion of imago Dei by Karl Barth. Herzfeld suggests that the robots in the examined films can be viewed through a relational approach to the concept of imago Dei, which entails a relational definition of intelligence.

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Andrzej Szyjewski

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 231-250

https://doi.org/10.4467/20844077SR.16.016.5874

The article examines the significance of the relationship between the Rainbow Serpent and fire in the rituals of the Warramunga (Warumungu) devoted to the Serpent Wollunqua. The myth of the passage of the Wollunqua is closely related to that of the first lighting of fire. The ritual cycle observed by B. Spencer and F. J. Gillen encodes the exchangeability of the two halves (moieties): Kingilli and Uluuru in the organisation of rituals, associating them with the transition from the domination of the symbolism of water (Wollunqua) to that of fire (Mountain Devil). The symbols of the transition are characteristic paraphernalia: the Mini-imburu mound and the Kingilli Miniurka, made from wands. The wintari pole, buried in the land by representatives of the eastern quoll clan, is associated in myth with the Wollunqua’s rearing into a vertical position, between walking on the surface of the land and digging into it. According to the myth, the Wollunqua, raised into the sky, saw a great fire and had to escape to its home. As a result, the rituals of the Wollunqua designate a fundamental cyclical change: rainy season ↔ dry season.

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Kamil Nowak

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 251-262

https://doi.org/10.4467/20844077SR.16.017.5875

The paper elaborates on the meaning of the meditation techniques described by Zhiyi in the field of Chan Buddhist studies. In order to show the importance of considering these techniques in the study of Chan Buddhism, in the first part of the paper the author discusses the historical connections between the Tiantai and Chan schools, presenting the influence of Tiantai on the development of Chan Buddhism. In the second part the author presents a contextual analysis of the main meditation practice of the Caodong school, that is silent illumination technique, based on the technique described by Zhiyi and called six wondrous dharma gates. The aim of the analysis is the show the usefulness of considering Zhiyi’s works in Chan studies methodology. This usefulness results from the ability to clarify the obscure, metaphor-laden, poetical sentences typical of Chan, based on Zhiyi’s precise language.

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Joanna Malita-Król

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 263-276

https://doi.org/10.4467/20844077SR.16.018.5876

The history of Wicca in Poland equals the history of Wicca on the Polish internet – and this equation alone shows the importance of the World Wide Web for Polish believers. The number of websites, discussion lists and forums has been rising since the mid-1990s, representing the development and growing popularity of this Neopagan religion. The article, based on field research, presents the history of Wicca on the internet and the present situation in Poland, as well as the institution of cybercovens. Wicca on the internet (mainly American) is considered as a broader context, along with Helland’s distinction between religion online and online religion (including, especially, online rituals and covens). The article is based on analysis of the content published online by Polish believers and the author’s field research among Polish Traditional Wiccans.

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Joanna Gruszewska

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 277-286

https://doi.org/10.4467/20844077SR.16.019.5877

The presented paper reflects on the perspective of the field of Buddhist studies/Buddhology relating to research on gender roles, especially female roles in Buddhist traditions within the scope of textual study of sources. After briefly introducing the discipline and the history of research on gender within Buddhist studies, the article concentrates on the main shortcomings and also the current perspectives and postulates of contemporary research on gender roles in Buddhism.

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Daniel Kalinowski

Studia Religiologica, Volume 49 Issue 3, 2016, pp. 287-303

https://doi.org/10.4467/20844077SR.16.020.5878

The article provides a description of Polish musicians active today who have marked their work with their relationship with Buddhism (Tomek Lipiński, Tymon Tymański, Robert Brylewski, Maciej Magura Góralski). By examining interviews with them, their recollections and autobiographies I was able to conclude that their fascination with Buddhism are as much personal as belonging to the style of behaviours developed as early as the 1960s in the USA (the Beatnik generation). Owing to the peculiarities of Polish rock music and musicians’ involvement in various types of cultural actions alternative to the European tradition, since the 1990s Buddhist motifs have been increasingly evident on the rock scene. Today’s Polish Buddhist rock star is a socially engaged artist who does not shirk making confessional avowals on stage to audiences numbering many thousands or holding forth on spirituality in high-circulation publications featuring extended interviews. The Buddhism espoused by Polish rock stars is characterised by the space of freedom of beliefs and private spirituality. At the same time, though, it is a religious act of maturity, in which one searches for a way to experience everyday life to its fullest.

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