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https://doi.org/10.4467/20844077SR.18.010.9750Słowa kluczowe: Russian film, Bible, cinema, Lungin, Zvyagintsev, Trickster, Andrei Tarkovsky, Russian film, William J. Hynes, new spirituality, post-secular discourse, metaphysical cinema, modern Polish cinema, hagiographic film, narrative structure, literary hagiography, cursed soldiers, indomitable soldiers, sacralisation of film characters, religious symbols, Polish cinema, documentary films, Polish customs, First Communion, contemporary Polish religiosity, Buddhism, Catholicism, TV series, Wojciech Adamczyk
