Publication date: 18.12.2024
Licence:
CC BY
Editorial team
Issue Editors Andrzej Jakubowski, Marta Szuniewicz-Stępień, Frederik F. Rosén, Alicja Jagielska-Burduk
Editor-in-Chief Alicja Jagielska-Burduk, Anna Koziczak
Deputy Editor-in-Chief Wojciech Szafrański, Andrzej Jakubowski
Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 15-26
Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 27-40
https://doi.org/10.4467/2450050XSNR.24.010.20821Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 41-50
https://doi.org/10.4467/2450050XSNR.24.011.20822Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 51-76
https://doi.org/10.4467/2450050XSNR.24.012.20823Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 77-104
https://doi.org/10.4467/2450050XSNR.24.013.20824Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 105-134
https://doi.org/10.4467/2450050XSNR.24.014.20825Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 135-154
https://doi.org/10.4467/2450050XSNR.24.016.20827Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 155-180
https://doi.org/10.4467/2450050XSNR.24.015.20826Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 181-208
https://doi.org/10.4467/2450050XSNR.24.017.20828Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 209-226
https://doi.org/10.4467/2450050XSNR.24.018.20829Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 227-250
https://doi.org/10.4467/2450050XSNR.24.019.20830Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 251-262
https://doi.org/10.4467/2450050XSNR.24.020.20831Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 263-282
https://doi.org/10.4467/2450050XSNR.24.021.20832Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 283-294
https://doi.org/10.4467/2450050XSNR.24.022.20833Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 295-306
https://doi.org/10.4467/2450050XSNR.24.023.20834Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 307-319
Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 320-322
Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 323-324
Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 325-328
Santander Art and Culture Law Review, 2/2024 (10), 2024, pp. 329-338
https://doi.org/10.4467/2450050XSNR.24.024.20835Słowa kluczowe: cultural heritage, armed conflict, heritage value, international humanitarian law, UNIDROIT, Italy, 1954 Hague Convention, UNESCO, war, cultural objects, armed conflict, impunity, cultural property, war crimes, international accountability, 1954 Hague Convention, 2001 UNESCO Convention, hybrid warfare, underwater cultural heritage, military strategy, enhanced protection, Second Protocol, 1954 Hague Convention, cultural property protection, armed non-state actor, international humanitarian law, cultural property, public collections, restitution in Central and Eastern Europe, Hungarian law, human rights law, Benin objects, Igun community, return, cultural heritage, southwest Nigeria, intangible cultural heritage, folklore, internet folklore, copyright, freedom of expression, NFT, armed conflict, 1954 Hague Convention, cultural heritage protection, cultural heritage, International Court of Justice, racial discrimination, CERD, art collection, Nazi-looted art, art restitution, cultural heritage, poster, European Union, EPPO, Czech Republic, fraud, trafficking of cultural property