The Santander Art and Culture Law Review (SAACLR) is a peer-reviewed international journal published by the UNESCO Chair on Cultural Property Law (Centrum Prawa Ochrony Dóbr Kultury UNESCO) at the University of Opole, Faculty of Law and Administration. SAACLR was established in 2015 as a part of Santander Universidades projects, organized by the Santander Group, and is published on a bi-annual basis.
The SAACLR’sprimary mission is to advance critical research relating to the intersection between law, culture, cultural diversity, and cultural heritage. The journal also seeks to promote social participation and the conscious, responsible management of cultural heritage at the local, national, regional, and international levels. SAACLR presents the results of the latest cultural heritage research and trends; an analysis of current relevant jurisprudence, administrative practice, and cultural policy; as well as diagnoses regarding the development of methods and forms of cultural heritage management. Finally, the journal produces reports on the latest events, conferences and seminars in the field of law, art, and cultural heritage, and promotes new social and scientific initiatives and inspiring publications.
Each odd-numbered issue of the journal is published in Polish, while each even-numbered issue is in English. All SAACLR issues contain a ‘Varia’ section, in order to stimulate interdisciplinary discussions and include the contributions of researchers working in the following fields: art history, philology, anthropology, sociology, and cultural studies. Furthermore, the ‘Debuts’ section was created to encourage young researchers, who now have an invaluable opportunity to present their work and gain exposure. SAACLR organizes competitions for young researchers and continues to act as an institutional partner of the Cultural Heritage Law Seminar for young researchers, PhD candidates and students in Lubostron, which is an annual scientific event taking place since 2013.
The journal’s readers come from diverse fields and include the following: researchers, legal practitioners, political dissidents, entrepreneurs, and actors from the NGO sector. The journal is also targeted towards students participating in courses regarding the management of cultural institutions, the art market, and cultural heritage protection.