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At the Borderline of Public and Private Law: The Restitution of Cultural Property Held in Public Collections in Hungary

Publication date: 18.12.2024

Santander Art and Culture Law Review, 2024, 2/2024 (10), pp. 181 - 208

https://doi.org/10.4467/2450050XSNR.24.017.20828

Authors

,
Vanda Vadász
HUN-REN Research Centre for the Humanities (HUN-REN RCH)
, Hungary
https://orcid.org/0009-0000-0944-0772 Orcid
Contact with author
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Viktória Verebélyi
Széchenyi István University
, Hungary
https://orcid.org/0009-0007-7400-6658 Orcid
Contact with author
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Titles

At the Borderline of Public and Private Law: The Restitution of Cultural Property Held in Public Collections in Hungary

Abstract

During the Second World War, and thereafter until the end of the communist regime in 1989, a massive amount of privately owned works of art came into the possession of the Hungarian state. The ownership of the property thus collected was only partially clarified after the war. After the fall of communism, nationalized cultural property was subject to restitution laws, but restitution typically meant partial compensation. The aim of this article is to highlight the shortcomings that still characterize the restitution of cultural property held in public collections in Hungary. After summarizing the historical-legal situation pertaining to restitution measures in Central and Eastern Europe, we provide a comprehensive overview of the Hungarian legal environment in terms of restitution. The focus is on the restitution rules adopted in the 2010s that were intended to settle the possession of cultural property held in public collections. The roots of constitutional issues related to the regulation arise from and are reflected in the intermingling of private law and public law characteristics and guarantees. In the presentation of civil law disputes concerning the ownership rights of property held in public collections, we outline the characteristics of the Hungarian regulatory framework regarding protected cultural property and the issues arising from their application. Finally, we provide an overview of the European Court of Human Rights’ jurisprudence on the protection of property rights and an assessment of Hungarian regulations before the Court. We claim that the lack of predictability and certainty of the latter authority’s proceedings may lead to human rights issues.

References

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Information

Information: Santander Art and Culture Law Review, 2024, 2/2024 (10), pp. 181 - 208

Article type: Original article

Titles:

English: At the Borderline of Public and Private Law: The Restitution of Cultural Property Held in Public Collections in Hungary

Authors

https://orcid.org/0009-0000-0944-0772

Vanda Vadász
HUN-REN Research Centre for the Humanities (HUN-REN RCH)
, Hungary
https://orcid.org/0009-0000-0944-0772 Orcid
Contact with author
All publications →

HUN-REN Research Centre for the Humanities (HUN-REN RCH)
Hungary

https://orcid.org/0009-0007-7400-6658

Viktória Verebélyi
Széchenyi István University
, Hungary
https://orcid.org/0009-0007-7400-6658 Orcid
Contact with author
All publications →

Széchenyi István University
Hungary

Published at: 18.12.2024

Article status: Open

Licence: CC BY  licence icon

Percentage share of authors:

Vanda Vadász (Author) - 50%
Viktória Verebélyi (Author) - 50%

Information about author:

Vanda Vadász holds a PhD in Law and serves as Junior Research Fellow at the HUN-REN Centre for Social Sciences, Institute for Legal Studies, Department of Private Law, Budapest (Hungary).

Viktória Verebélyi is a doctoral student at the Postgraduate Doctoral School of Law and Political Sciences of Széchenyi István University, Győr (Hungary) and Law Associate at the Constitutional Court of Hungary.

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English