Publication date: 19.09.2022
Publikacja finansowana przez Radę Kół Naukowych UJ.
Projekt okładki: Magdalena Agnieszka Krok
Licence:
CC BY
Editorial team
Editor-in-Chief Patrycja Sawicka
Secretary Bernadeta Klepacz
The Jagiellonian University Young Musicologists Quarterly, Numer 53 (2/2022), 2022, pp. 5 - 31
https://doi.org/10.4467/23537094KMMUJ.22.007.16244The Jagiellonian University Young Musicologists Quarterly, Numer 53 (2/2022), 2022, pp. 33 - 58
https://doi.org/10.4467/23537094KMMUJ.22.008.16245The Jagiellonian University Young Musicologists Quarterly, Numer 53 (2/2022), 2022, pp. 59 - 72
https://doi.org/10.4467/23537094KMMUJ.22.009.16246The Jagiellonian University Young Musicologists Quarterly, Numer 53 (2/2022), 2022, pp. 73 - 91
https://doi.org/10.4467/23537094KMMUJ.22.010.16247The Jagiellonian University Young Musicologists Quarterly, Numer 53 (2/2022), 2022, pp. 93 - 124
https://doi.org/10.4467/23537094KMMUJ.22.005.15649Słowa kluczowe: Darius Milhaud, fantasia genre, neoclassical techniques, Carnival, harpsichord, contemporary music, postmodernism, composition, Apocalypse, the end of time, 20th century, symbols, transcendence, Yoshimura Hiroshi, ambient, Japanese music, kankyo ongaku, sound design, manuscript, fugue, alternatim practice, PL-SA L 1636, Polish music