Publication date: 18.12.2018
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from
the funds of the Minister of Science and Higher Education for popularisation of science.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
The Jagiellonian University Young Musicologists Quarterly, Issue 38 (3/2018), English Issues, pp. 5 - 24
https://doi.org/10.4467/23537094KMMUJ.18.027.9309The Jagiellonian University Young Musicologists Quarterly, Issue 38 (3/2018), English Issues, pp. 25 - 46
https://doi.org/10.4467/23537094KMMUJ.18.032.9733The Jagiellonian University Young Musicologists Quarterly, Issue 38 (3/2018), English Issues, pp. 47 - 78
https://doi.org/10.4467/23537094KMMUJ.18.033.9734The Jagiellonian University Young Musicologists Quarterly, Issue 38 (3/2018), English Issues, pp. 79 - 103
https://doi.org/10.4467/23537094KMMUJ.18.034.9735The Jagiellonian University Young Musicologists Quarterly, Issue 38 (3/2018), English Issues, pp. 105 - 124
https://doi.org/10.4467/23537094KMMUJ.18.035.9736Słowa kluczowe: account books, musical chapel, musical repertoire, music in Lviv, Leon Szeptycki, Bruno Stein, organ, teacher’s seminar, church music, Alois Haba, microtonal music, Neue Harmonielehre, string quartets, “life-writing”, opera, Aleksander Nowak, “Space Opera”, “Sudden Rain”, relation between text and music, Pod Budą’s works, sung poetry, vocal-instrumental music, contemporary song, lyrics