Publication date: 28.09.2018
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from
the funds of the Minister of Science and Higher Education for popularisation of science.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
The Jagiellonian University Young Musicologists Quarterly, Issue 36 (1/2018), English Issues, pp. 5 - 31
https://doi.org/10.4467/23537094KMMUJ.18.014.9017The Jagiellonian University Young Musicologists Quarterly, Issue 36 (1/2018), English Issues, pp. 33 - 52
https://doi.org/10.4467/23537094KMMUJ.18.015.9018The Jagiellonian University Young Musicologists Quarterly, Issue 36 (1/2018), English Issues, pp. 53 - 76
https://doi.org/10.4467/23537094KMMUJ.18.016.9019The Jagiellonian University Young Musicologists Quarterly, Issue 36 (1/2018), English Issues, pp. 77 - 114
https://doi.org/10.4467/23537094KMMUJ.18.017.9020The Jagiellonian University Young Musicologists Quarterly, Issue 36 (1/2018), English Issues, pp. 115 - 133
https://doi.org/10.4467/23537094KMMUJ.18.018.9021The Jagiellonian University Young Musicologists Quarterly, Issue 36 (1/2018), English Issues, pp. 135 - 153
https://doi.org/10.4467/23537094KMMUJ.18.019.9022Słowa kluczowe: Organs, Cistercian Abbey, Kraków-Mogiła, Canto fratto, Benedicamus Domino, Bernardines, liturgical manuscripts, Apolinary Kątski, virtuoso, violin, infant prodigy, Niccolò Paganini, socialist realism, socrealism, Fryderyk Chopin, Polish People’s Republic, 1949, Piotr Hertel, music for cartoons, Miś Uszatek, Plastusiowy pamiętnik, Se-Ma-For, Johann Sebastian Bach, Alexander Chen, net art, reception of Bach In