Publication date: 27.07.2020
Publikacja finansowana przez Radę Kół Naukowych UJ.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
Deputy Editor-in-Chief Jolanta Bujas-Poniatowska
The Jagiellonian University Young Musicologists Quarterly, Numer 45 (2/2020), 2020, pp. 5 - 24
https://doi.org/10.4467/23537094KMMUJ.20.003.12530The Jagiellonian University Young Musicologists Quarterly, Numer 45 (2/2020), 2020, pp. 25 - 60
https://doi.org/10.4467/23537094KMMUJ.20.004.12531The Jagiellonian University Young Musicologists Quarterly, Numer 45 (2/2020), 2020, pp. 61 - 86
https://doi.org/10.4467/23537094KMMUJ.20.005.12532The Jagiellonian University Young Musicologists Quarterly, Numer 45 (2/2020), 2020, pp. 87 - 108
https://doi.org/10.4467/23537094KMMUJ.20.006.12533The Jagiellonian University Young Musicologists Quarterly, Numer 45 (2/2020), 2020, pp. 109 - 126
https://doi.org/10.4467/23537094KMMUJ.20.007.12534The Jagiellonian University Young Musicologists Quarterly, Numer 45 (2/2020), 2020, pp. 127 - 142
https://doi.org/10.4467/23537094KMMUJ.20.008.12535Słowa kluczowe: natural horn, valve horn, French horn, cor d'orchestre, cor solo, adaptation of valve horns, Adam Epler, Lviv, guitar, mandolin orchestra, Polish Radio, Katyn massacre victim, chamber music, Polish music, sinfonietta, performance, re-performance, performer, Fluxus, George Brecht, feminism, cricital theories, gender, ethnomusicology, bones, concertina, sailors' instruments, Ten-a-penny Band