Publication date: 27.07.2020
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from the funds of the Minister of Science and Higher Education for popularisation of science.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
Deputy Editor-in-Chief Jolanta Bujas-Poniatowska
The Jagiellonian University Young Musicologists Quarterly, Issue 45 (2/2020), English Issues, pp. 5 - 22
https://doi.org/10.4467/23537094KMMUJ.20.028.13901The Jagiellonian University Young Musicologists Quarterly, Issue 45 (2/2020), English Issues, pp. 23 - 58
https://doi.org/10.4467/23537094KMMUJ.20.029.13902The Jagiellonian University Young Musicologists Quarterly, Issue 45 (2/2020), English Issues, pp. 59 - 84
https://doi.org/10.4467/23537094KMMUJ.20.030.13903The Jagiellonian University Young Musicologists Quarterly, Issue 45 (2/2020), English Issues, pp. 85 - 104
https://doi.org/10.4467/23537094KMMUJ.20.031.13904The Jagiellonian University Young Musicologists Quarterly, Issue 45 (2/2020), English Issues, pp. 105 - 120
https://doi.org/10.4467/23537094KMMUJ.20.032.13905The Jagiellonian University Young Musicologists Quarterly, Issue 45 (2/2020), English Issues, pp. 121 - 138
https://doi.org/10.4467/23537094KMMUJ.20.033.13906Słowa kluczowe: natural horn, valve horn, French horn, cor d’orchestre, cor solo, adaptation of valve horns, Adam Epler, Lviv, guitar, mandolin orchestra, Polish Radio, Katyn massacre victim, sinfonietta, chamber music, Polish music, performance, re-performance, performer, Fluxus, George Brecht, feminism, critical theories, gender, ethnomusicology, bones, concertina, sailors’ instruments, Ten-a-penny Band