Publication date: 31.10.2019
Publikacja finansowana przez Radę Kół Naukowych UJ.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
Deputy Editor-in-Chief Jolanta Bujas-Poniatowska
The Jagiellonian University Young Musicologists Quarterly, Numer 42 (3/2019), 2019, pp. 5 - 32
https://doi.org/10.4467/23537094kmmuj.19.008.11141The Jagiellonian University Young Musicologists Quarterly, Numer 42 (3/2019), 2019, pp. 33 - 52
https://doi.org/10.4467/23537094kmmuj.19.009.11142The Jagiellonian University Young Musicologists Quarterly, Numer 42 (3/2019), 2019, pp. 53 - 76
https://doi.org/10.4467/23537094kmmuj.19.012.11153The Jagiellonian University Young Musicologists Quarterly, Numer 42 (3/2019), 2019, pp. 77 - 98
https://doi.org/10.4467/23537094kmmuj.19.010.11143The Jagiellonian University Young Musicologists Quarterly, Numer 42 (3/2019), 2019, pp. 99 - 118
https://doi.org/10.4467/23537094kmmuj.19.011.11144The Jagiellonian University Young Musicologists Quarterly, Numer 42 (3/2019), 2019, pp. 119 - 140
https://doi.org/10.4467/23537094kmmuj.19.012.11145Słowa kluczowe: Miners’ Orchestra of Wałbrzych, Waldenburger Bergkapelle, musical manuscripts, RISM, Waldenburg, Irène Régine Wieniawska, Poldowski, Irène Régine Wieniawska’s catalogue of works, 19th- and 20th-century music, symphony orchestra, Teodor Ryder, Dawid Bajgelman, Łódź ghetto, Litzmannstadt Ghetto, determinism, indeterminism, aleatoric music, integral serialism, music in animations, Porwanie Baltazara Gąbki, Tadeusz Kocyba, Paweł Mykietyn, theatrical music, Krzysztof Warlikowski