Numer 30 (3/2016)Issue 30 (3/2016)

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Publication date: 25.05.2018

Licence: None

Editorial team

Editor-in-Chief Sławomir Torbus

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The sersera of the guembri: anthropological approach to the device in the context of Gnawa diasporas in Brussels and Morocco

Martina Hanáková, Itzana Dobbelaere, Hélène Sechehaye

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 7 - 27

https://doi.org/10.4467/23537094KMMUJ.16.012.8051

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The Sound of Yellow: Kandinsky’s yellow colour in von Hartmann’s and Schnittke’s music

Neda Kolić

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 29 - 45

https://doi.org/10.4467/23537094KMMUJ.16.013.8052

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The phenomenon of reciprocal mirroring of Bachelard’s study L’eau et les rêves:essai sur l’imagination de la matière, Debussy’s Des pas sur la neige and Thaulow’s La Rivière Simoa en hiver

Marija Simonović

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 47 - 60

https://doi.org/10.4467/23537094KMMUJ.16.014.8053

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An examination of Clara Schumann’s musical salons and the research problems that occurred

Marlene Priller

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 61 - 74

https://doi.org/10.4467/23537094KMMUJ.16.015.8054

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The musical and liturgical aspects of the great feasts of the Church services inserted in the Great Lent

Shorena Metreveli

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 75 - 87

https://doi.org/10.4467/23537094KMMUJ.16.016.8055

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Rhetorical figures and rhetorical strategies in The Minotaur by Harrison Birtwistle

Dominika Micał

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 89 - 113

https://doi.org/10.4467/23537094KMMUJ.16.017.8056

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Silence as a symbol of death in the reflection of Gisèle Brelet and Tōru Takemitsu

Marek Dolewka

The Jagiellonian University Young Musicologists Quarterly, Issue 30 (3/2016) , English Issues, pp. 115 - 128

https://doi.org/10.4467/23537094KMMUJ.16.018.8057

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Editorial page PDF Introduction PDF Biograms PDF Spis treści PDF

Słowa kluczowe: sersera, guembri, Gnawa, Brussels, Morocco, amplification, Wassily Kandinsky, Thomas von Hartmann, Alfred Schnittke, The Yellow Sound, Der gelbe Klang, sound and colour, synesthesia, music, philosophy, painting, water, Clara Schumann, musical salon, 19th century, Germany, Georgian chant, Gelati school, Orthodox Church, liturgy, Harrison Birtwistle, David Harsent, Minotaur, musical rhetoric, contemporary opera, silence, death, Gisèle Brelet, Tōru Takemitsu, Raymond Murray Schafer

Issue 30 (3/2016)

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