Publication date: 28.12.2017
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from the funds of the Minister of Science and Higher Education for popularisation of science.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
The Jagiellonian University Young Musicologists Quarterly, Issue 35 (4/2017), English Issues, pp. 4 - 37
https://doi.org/10.4467/23537094KMMUJ.17.033.7862The Jagiellonian University Young Musicologists Quarterly, Issue 35 (4/2017), English Issues, pp. 38 - 62
https://doi.org/10.4467/23537094KMMUJ.17.034.7863The Jagiellonian University Young Musicologists Quarterly, Issue 35 (4/2017), English Issues, pp. 63 - 92
https://doi.org/10.4467/23537094KMMUJ.17.035.7864The Jagiellonian University Young Musicologists Quarterly, Issue 35 (4/2017), English Issues, pp. 93 - 111
https://doi.org/10.4467/23537094KMMUJ.17.036.7865The Jagiellonian University Young Musicologists Quarterly, Issue 35 (4/2017), English Issues, pp. 112 - 124
https://doi.org/10.4467/23537094KMMUJ.17.037.7866Słowa kluczowe: Gender, masculinity, Franz Schubert, song, Lied, romanticism, Giovanni Battista Bassani, music reception, music manuscripts, Grodzisk Wielkopolski, RISM, Carl Ditters von Dittersdorf, symphony, Dresden, Oels, Arthur Honegger, Jean Cocteau, Les Six, Neoclassicism, 20th-century French music, Paul Hindemith, idea of progress, Neoclassicism, aesthetics