Publication date: 18.12.2018
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
The Jagiellonian University Young Musicologists Quarterly, Numer 39 (4/2018), 2018, pp. 5 - 19
https://doi.org/10.4467/23537094KMMUJ.18.036.9737The Jagiellonian University Young Musicologists Quarterly, Numer 39 (4/2018), 2018, pp. 21 - 38
https://doi.org/10.4467/23537094KMMUJ.18.037.9738The Jagiellonian University Young Musicologists Quarterly, Numer 39 (4/2018), 2018, pp. 39 - 54
https://doi.org/10.4467/23537094KMMUJ.18.038.9739The Jagiellonian University Young Musicologists Quarterly, Numer 39 (4/2018), 2018, pp. 55 - 78
https://doi.org/10.4467/23537094KMMUJ.18.039.9740The Jagiellonian University Young Musicologists Quarterly, Numer 39 (4/2018), 2018, pp. 79 - 104
https://doi.org/10.4467/23537094KMMUJ.18.040.9741Słowa kluczowe: church music, Protestantism, Samuel Besler, 17th century, Wrocław, Commander, Stone Guest, Don Juan, opera, Don Giovanni, Wolfgang Amadeus Mozart, Johannes Brahms, Baroque, Psalm XIII, rhetoric in music, Paweł Mykietyn, postmodernism, constructivism, deconstruction, intertextuality, Political marketing, popular music, presidential campaign, election song