Publication date: 31.10.2018
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
The Jagiellonian University Young Musicologists Quarterly, Numer 38 (3/2018), 2018, pp. 5 - 24
https://doi.org/10.4467/23537094KMMUJ.18.027.9309The Jagiellonian University Young Musicologists Quarterly, Numer 38 (3/2018), 2018, pp. 25 - 47
https://doi.org/10.4467/23537094KMMUJ.18.028.9310The Jagiellonian University Young Musicologists Quarterly, Numer 38 (3/2018), 2018, pp. 49 - 79
https://doi.org/10.4467/23537094KMMUJ.18.029.9311The Jagiellonian University Young Musicologists Quarterly, Numer 38 (3/2018), 2018, pp. 81 - 102
https://doi.org/10.4467/23537094KMMUJ.18.030.9312The Jagiellonian University Young Musicologists Quarterly, Numer 38 (3/2018), 2018, pp. 103 - 121
https://doi.org/10.4467/23537094KMMUJ.18.031.9313Słowa kluczowe: account books, musical chapel, musical repertoire, music in Lviv, Leon Szeptycki, Bruno Stein, organ, teacher’s seminar, church music, Alois Hába, microtonal music, Neue Harmonielehre, string quartets, “life-writing”, opera, Aleksander Nowak, “Space Opera”, “Sudden Rain”, relation between text and music, Pod Buda’s works, sung poetry, vocal-instrumental music, contemporary song, lyrics