Publication date: 2020
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from the funds of the Minister of Science and Higher Education for popularisation of science.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
Secretary Bernadeta Klepacz
The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 5 - 23
https://doi.org/10.4467/23537094KMMUJ.20.041.13914The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 25 - 68
https://doi.org/10.4467/23537094KMMUJ.20.042.13915The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 69 - 102
https://doi.org/10.4467/23537094KMMUJ.20.043.13916The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 103 - 137
https://doi.org/10.4467/23537094KMMUJ.20.044.13917The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 139 - 155
https://doi.org/10.4467/23537094KMMUJ.20.045.13918The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 157 - 176
https://doi.org/10.4467/23537094KMMUJ.20.046.13919The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 177 - 195
https://doi.org/10.4467/23537094KMMUJ.20.047.13920The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 197 - 213
https://doi.org/10.4467/23537094KMMUJ.20.048.13921The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 215 - 227
https://doi.org/10.4467/23537094KMMUJ.20.049.13922The Jagiellonian University Young Musicologists Quarterly, Issue 47 (4/2020), English Issues, pp. 229 - 253
https://doi.org/10.4467/23537094KMMUJ.20.050.13923Słowa kluczowe: music and topics, theories of musical topos, content of a music work, musical semantics, topical music analysis, Bernardo Pasquini, partimento, basso continuo, harpsichord, fugue, Pietro Antonio Locatelli, Jean-Marie Leclair, violin music, musical duels, violin concerto, Józef Wieniawski, Henryk Wieniawski, Polish music, Ruggero Leoncavallo, I Medici, Italian opera, veristic opera, verismo, Aleksander Nowak, Olga Tokarczuk, Literaturoper, contemporary opera, libretto, librettology, Spatial music, spatiality, the metaphor of movement, carnality, musical experience, Łódź Ghetto, Holocaust, cultural life, World War II, Jewish music, instrumental music, John Zorn, Radical Jewish Culture, contemporary music, Piano-playing technique, piano skills, pianist’s hand