Publication date: 14.12.2017
Translation from Polish was financed under the agreement No. 613/P-DUN/2017 from the funds of the Minister of Science and Higher Education for popularisation of science.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 7 - 28
https://doi.org/10.4467/23537094KMMUJ.17.025.7854The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 29 - 50
https://doi.org/10.4467/23537094KMMUJ.17.026.7855The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 51 - 73
https://doi.org/10.4467/23537094KMMUJ.17.027.7856The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 75 - 95
https://doi.org/10.4467/23537094KMMUJ.17.028.7857The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 97 - 113
https://doi.org/10.4467/23537094KMMUJ.17.029.7858The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 115 - 133
https://doi.org/10.4467/23537094KMMUJ.17.030.7859The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 135 - 157
https://doi.org/10.4467/23537094KMMUJ.17.031.7860The Jagiellonian University Young Musicologists Quarterly, Issue 34 (3/2017), English Issues, pp. 159 - 174
https://doi.org/10.4467/23537094KMMUJ.17.032.7861Słowa kluczowe: Benjamin Britten, Sylvano Bussotti, Hans Werner Henze, homosexuality, myth of Phaedra, Feminist musicology, Polish musicology, women composers, communist regimes, politics and music, gender, Grażyna Bacewicz, 19th Century Song, Zdeněk Fibich, Johann Wolfgang von Goethe, Czech Lands, André Caplet, twentieth-century French music, analysis, music theory, modality, harmonic language, mystery play, social context, musical dramaturgy, Arnold Schoenberg, Richard Wagner, Olivier Messiaen, 20th century music, Jewish music, Jewish song, New Jewish School, musical life in Prague, interwar period, Jewish identities, Jewish musicians’ identity, politicization of musical life, Jewish musicians, Galician Jews, music publishing for children, Studio Bis, Crescendo, Euterpe, Małgorzata Flis