Publication date: 30.10.2020
Publikacja finansowana przez Radę Kół Naukowych UJ.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Sławomir Torbus
Secretary Bernadeta Klepacz
The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 5 - 21
https://doi.org/10.4467/23537094KMMUJ.20.009.12851The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 23 - 39
https://doi.org/10.4467/23537094KMMUJ.20.010.12852The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 41 - 53
https://doi.org/10.4467/23537094KMMUJ.20.011.12853The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 55 - 70
https://doi.org/10.4467/23537094KMMUJ.20.012.12854The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 71 - 89
https://doi.org/10.4467/23537094KMMUJ.20.013.12855The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 91 - 113
https://doi.org/10.4467/23537094KMMUJ.20.014.12856The Jagiellonian University Young Musicologists Quarterly, Numer 46 (3/2020), 2020, pp. 115 - 133
https://doi.org/10.4467/23537094KMMUJ.20.015.12857Słowa kluczowe: Maria Szymanowska, nocturne, John Field, variation technique, programme music, Aleksander Zarzycki, Polish music of the 19th century, piano works, solo songs, Mieczysław Wajnberg, borderland, identity, Krzysztof Zajas, animation in Central and Eastern Europe, musical representations of the past, music in animated films, music digitisation, ethnomusicology, musical folklore, Adolf Dygacz, memory studies, Henryk Mikołaj Górecki, 20th-century music, chamber music, Polish music, composition techniques, Aria operatic stage, Concerto for Five Instruments and String Quartet, Quartettino, Muzyczka IV, audiovisuality, Simon Steen-Andersen, Black Box Music, musical object