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https://doi.org/10.4467/25439561KSR.22.026.16378Słowa kluczowe: Russia, culture, memory, trauma, Putin, displacement of Germans, collective responsibility, oblivion, counter-memory, spaces of forgetting, contemporary Macedonia, Albanians, ethnogenetic complex, cultural identities, autochthonism, forgetting, zero-degree semiotization, Goli otok, concentration camp chronotope, camp communication, taboo, literary mnemonics, self-censorship, Soviet Army, monument, Bulgaria, post-communism, Russophilia, oblivion, omission, Serbian and Montenegrin culture, saint Sava, journal, letters, Transcarpathian Ruthenia, Slavic reciprocity, national revival, national identity, tradition, value system, Saint Sava, Tsar Dusan, ideology and aesthetics, politics and literature, Croatian literary criticism, Croatian literature in the Independent State of Croatia, reception of a literary work, illness, malady threads, imagination, perception, medieval South Slavonic micro-texts, Old Serbian micro-texts, memory, tragic culture, anthropology, contemporary Russian theater, Ivan Bunin, Revolution in Russia, Great French Revolution, Vendée, the cult of Reason, Samizdat, Orthodox Eschatology, Telonia, Russian Orthodox Church Outside of Russia, memory, oblivion, exclusion, loss of identity, memory, oblivion, time, gulag, Sergey Lebedev, motif of a wet nurse, Dalmatia, borderlands, artistic narrative prose, the Morlachs, Slovak literature, women’s poetry, forgotten tradition, reinterpretation of the literary canon, Andrea Bokníková, Viacheslav Rybakov, Russian literature, Russian prose-fiction, alternative history, Molotov – Ribbentrop Pact, forgetting, oblivion, past, modern Bulgarian novel, Georgi Gospodinov, oblivion, memory, memories, Grlić, Godlar, anonymous poetry, baroque, Serbian civic poetry, heraldry, emblems, travel literature, Eastern Europe, reportage, historical Hungary, the Soviet Union, Irina Aleksander Kunjina, Croatian literature, Russian literature, interwar modernism, Croatian-Slavic literary relations, forgotten Literary History Legacy, Sergei Lebedev, memory wars, post-memory, generational novel, literature of memory, Jewish ethnolect of Czech, Czech Ashkenazic pronunciation, Modern Hebrew pronunciation, language development, process of vanishing, 20th and 21st centuries, oblivion, migrant identity, Danuta Mostwin, the third value