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Vol. XIV

Heroizm i martyrologia w kulturze Słowian

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Publication date: 21.12.2018

Licence: CC BY-NC-ND  licence icon

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Volume Editor Urszula Cierniak

Issue content

Łukasz Laskowski

Slavonic Culture, Vol. XIV, 2018, pp. 9 - 36

https://doi.org/10.4467/25439561KSR.18.001.9345

Providing the general pattern of a biblical hero is always threatened by subjectivity and the fact that important current elements will be recognized only for some biblical books. For reasons of necessity this article is in the form of an outline. When analyzing The Old Testament heroic pattern, we must pay attention to the Torah requirements, which are  very high. The model for Israel is the sanctity of God Himself. The application of these provisions, however, is not as restrictive. The heroes of The Old Testament are characterized by a human weakness which becomes the background for the actions of charisma. A special role among them was played by heros from outside of Israel. For example, Ruth through her stubborn behavior joined the genealogy of Jesus, though she was not be able ”to enter the congregation of The Lord” as a Moabite woman. Noah, Daniel and Job became prophetic models of holiness, though none of them came from Israel. Later traditions revealed the rationality and bravery of the Jews, showing their rules as a real civilization. Pagans, in confrontation with her strength, appear to be barbarians. In The New Testament, the role of the Apostles, especially Paul, is of great meaning. Their mission it is actually a sacrifice to God. The modalities of the new hero are also presented. Based on the Stoic vocabulary, the Bible show an apostle who, in the midst of  adversity, experiences the fullest help of God.

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Małgorzata Abassy

Slavonic Culture, Vol. XIV, 2018, pp. 37 - 56

https://doi.org/10.4467/25439561KSR.18.002.9360

The discussion over the chosen examples of martyrs in Shi’i Islam, upon the background of socio-cultural changes of contemporary Iran is the purpose of this paper. The idea of shahadat is one the most vital cultural patterns, that became activated in the periods regarded by Muslims as oppressive for them. Merging the concept of martyrdom with notions as zolm (violence) and adalat (justice), so important for the Shi’i Islam generates new content of the word jihad. The basic pattern of the Kerbela battle was discussed in the paper. Its contemporary actualizations: during the Constitutional Revolution (1905-1911) and the Islamic Revolution (1979) were then analyzed. It was proven that the patterns of martyrdom are activated in the atmosphere of revolutionary turmoil when a society faces bloody acts of violence.

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Jakub Kudroń

Slavonic Culture, Vol. XIV, 2018, pp. 57 - 78

https://doi.org/10.4467/25439561KSR.18.003.9361

In the context of Russian-orthodox culture, holiness is understood as an attribute of God, having no analogy in the natural world. However, thanks to the Incarnation of Christ it became achievable for people as God’s gift for those who follow Him. Practically that meant a radical or often even heroic fulfillment of the Gospel’s teachings. The ancient Greek and Roman culture has developed a model of personal perfection, taking its roots and goals in the super natural reality. It was the heroism of citizens of both military and political aspects, bringing the exceptional individuals to the divine. The historical clash of the ancient and the newly-born Christian civilizations enables us to compare these patterns and the influence they had on the societies in which they emerged. These matters create an opportunity for an analogous analysis in the area of Russian-orthodox culture.

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Norbert Morawiec

Slavonic Culture, Vol. XIV, 2018, pp. 79 - 112

https://doi.org/10.4467/25439561KSR.18.004.9362

The paper contains an analysis of the 19th century Russian Orthodox synodal historiography concerning the martyrdom and death of the Uniate Archbishop of Polotsk, a Basilian monk and saint of the Catholic Church Josaphat Kuntsevych (1580-1623). In the synodal historiography the author has distinguished three research narrations representing  different interpretations: ober-procurator’s, “learned monachs’” and lay lecturers’ of theological schools. The question has also been addressed about the influence of the particular synodal groups to which the authors belonged on the process of writing of those narrations.

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Agnieszka Ziołowicz

Slavonic Culture, Vol. XIV, 2018, pp. 113 - 134

https://doi.org/10.4467/25439561KSR.18.005.9363
The paper contains an interpretation of Norwid’s concept of heroism. It refers to a variety of fields in Norwid’s literary activity, to his lyric, epic and dramatic works, as well as to his journalistic, critical and epistolary writings. The question of a hero of culture, whose significance in the thought and imagination of the author has been presented in the sequence of analyses devoted to leaders of humanity (Prometheus, Moses, the Argonauts, Jesus Christ), national heroes (Krakus, Wanda, heroes of the January Uprising) and poets (the legend of Tyrtheus) is central for the discussion. The above analysis is shown in the context of anthropological reflection of the epoch, the Norwidian concept of an individual, philosophical and religious interpretation of heroic feats, their cultural patterns. The understanding of heroism, as sketched by Norwid against this background, proves to be fully original, though, at the same time, emerging from a multilateral dialogue with the selected threads of heroic tradition. The specificity of Norwid’s interpretation of the phenomenon is proved by: underlining the importance of cultural and ethos related meaning of each heroic deed, emphasizing spiritual heroism, associating heroism with the issues of collective memory, the national and human community, treatment of heroic ideals as a measure of value of 19th century civilizational achievements and maturity of the man of that period, given the Christian heroic ideals.
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Urszula Cierniak

Slavonic Culture, Vol. XIV, 2018, pp. 135 - 150

https://doi.org/10.4467/25439561KSR.18.006.9364
Archpriest Ioann Vostogorov was an outstanding preacher and a clergyman of unique patriotic sensitivity. As a man particularly devoted to the issues of Russia’s prosperity, faithfulness to the Tsar, and fighting atheism, he spent his entire life preaching in an attempt to convince the Russians of the necessity of building a powerful empire that would correspond to the concept of Holy Russia, a country chosen by Divine Providence to retain the true faith till the end of the world. Connected to patriotic and conservative organisations, Vostogorov followed the best traditions and the history of Russia in his teaching, considering them as the most certain support for the existing political and social order. He paid the highest price for his ideas and activity – was murdered by the Bolsheviks in 1918. In 2000 Archpriest Vostogorov was recognised as one of the New Martyrs and Confessors of the Russian Church. This article analyses the part of Ioann Vostogorov’s preaching legacy which most significantly reflects his concern with the salvation of Russia, as well as his urging to reject those ideas of democracy that threaten the order of a Christian state.
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Aleksy Kucy

Slavonic Culture, Vol. XIV, 2018, pp. 151 - 168

https://doi.org/10.4467/25439561KSR.18.007.9365
Dedicated to the liturgical life of the Church, endowed with the genuine inclination to spiritual reflection and contemplation, with his fervent prayer and encouraging word, Metropolitan Anthony lit faith and the love of God in countless human hearts, and not just those of the students of Orthodoxy but of other religions, too. He embarked upon his personal journey to God at the age of 14 when he experienced a personal mystical encounter with Christ during his first thoughtful and in-depth reading of the Gospel. The accompanying transformation of consciousness consisted in a new perception of the world and people through the lens of God’s love and determined the extraordinary way of life of the future superior of the Orthodox Church in England.
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Anna Raźny

Slavonic Culture, Vol. XIV, 2018, pp. 169 - 190

https://doi.org/10.4467/25439561KSR.18.008.9366
The meaning of the concepts appearing in the title is of significance for the topic undertaken here. Heroism expresses the axiological and metaphysical dimension of human sacrihttps fice in the name of values fundamental to the sense and purpose of human existence. This very concept suggests anthropological-philosophical criteria of interpreting literature constituting a testimony to life in a prison camp. The Gulag, however, adds a historical-ideological perspective to such an interpretation. In presenting heroic attitudes in the Gulag, prison camp literature confirms the meaning of heroism as a moral and simultaneously existential stance, as described by Max Scheler. It originates from the position of transgressing one’s own I in the sacrificial act of self-sacrifice in the name of selected higher spiritual, moral and cultural values. In the sacrificial act of the human I (even up to the act of sacrificing one’s own life), the metaphysical essence of the values for which the act is being carried out is disclosed. The metaphysical perspective of hope for a different – authentic – life, in particular after death, is also discused. Heroism in the Gulag was not only the negation of despair and nothingness, but also a testimony of sacrifice for the value surpassing the camp system and the communist ideology. This sacrifice signified a reconciliation with suffering and death in the name of the selected value. Camp literature presents examples of heroic attitudes taken on in the name of religious values, a fellow human being, freedom, family or art. The most representative in this aspect are the works of: A. Solzhenitsyn, W. Shalamov, E. Ginzburg, W. Bukovsky. They are also cited in this work.
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Beata Biel

Slavonic Culture, Vol. XIV, 2018, pp. 191 - 208

https://doi.org/10.4467/25439561KSR.18.009.9367
”Nowe Drogi” was a magazine in which many pages were devoted to considerations on the essence of man and socialist ethics. These two areas of philosophical reflection played a significant role in shaping role models of People’s Poland. Role models of a communist, party member, worker, teacher or scientist are the exemplars of heroes of socialism, who were considered to be particularly special and outstanding individuals. This was particularity sought not only to refer to the idea of a revolution, which the heroism of attitudes was undoubtedly identified with, but also to the perfection of moral values promoted by socialism. Therefore, the concept of heroism in Marxism-Leninism ideology had a completely different connotation than in the case of ancient thought or Christianity. In socialist ethics the uniqueness of values resulted from dialectical materialism as a rational and objective justification of what is right and wrong. The Marxist-Leninist anthropological was to dictate the uniqueness of the “new man”, for the new times. The role models propagated in ”Nowe Drogi” magazine were to embody this exemplar
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Józef Kuffel

Slavonic Culture, Vol. XIV, 2018, pp. 209 - 236

https://doi.org/10.4467/25439561KSR.18.010.9368
A considerable part of the article is devoted to the characteristics of a number of examples of newer portrayals of heroism – with the intention of showing the ambiguity of the heroism paradigm in culture. The figure of St. Peter the Athonite was presented on this varied background of the ideally contrary ideals of heroism. The title character of late Byzantine hagiographic literature was created by St. Gregory Palamas on the model of the Orthodox ascetic who implemented the hesychastic strategy in his life.
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Oleg Fedotov

Slavonic Culture, Vol. XIV, 2018, pp. 237 - 252

https://doi.org/10.4467/25439561KSR.18.011.9369
The Great Patriotic war afflicted the future poet, who survived it as an infant, only with its fiery wing, but then he had to fully experience the hardships of the postwar era. Like everyone else in his time, he grew up with a fatal belief: let it be everything, but not war! The theme of war in Brodsky’s poetry appears mostly in an abstract, detached form, with the ecstatic pathos of denial. It was reflected in exactly the same manner, in accordance with the concept of the “Hundred Years’ War“, in several episodes of the poem-mystery The Procession. 
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Maciej Czerwiński

Slavonic Culture, Vol. XIV, 2018, pp. 253 - 268

https://doi.org/10.4467/25439561KSR.18.012.9370
The article attempts to deal with the evolution of a paradigm which brings war heroism in Croatian and Serbian fiction into question. The analysis focuses on the novel of Borislav Pekić How to Quiet a Vampire (1977), but is contextualized within earlier literary poetics. The 1950s bring about a new model of a war hero who is temporarily hesitating but in the end returns to his earlier path (the path of revolution). There is a new tendency in the 1960s: they decisively give up their role in the war and revolution which leads them to insanity. The 1970s, which is exemplified by the novel of Pekić, attempt to break the deadlock caused by the previous defeatism by re-discovering man’s social nature. This, however, opens up completely new problems.
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Jan Nowak

Slavonic Culture, Vol. XIV, 2018, pp. 269 - 284

https://doi.org/10.4467/25439561KSR.18.013.9371
Father Władysław Bukowiński (1904-1974) voluntarily devoted himself to the exiles – Catholics in Karaganda. He studied law and theology at the Jagiellonian University in Krakow. As a priest he worked in the diocese of Kraków and Lutsk. He spent o er 13 years in prisons and labor camps of the Soviet Union due to his allegiance to God, the Church and his fatherland,. After being released, he served the exiles in Kazakhstan for 20 years. Bukowiński’s heroism of life has its source in the decision to remain among the exiles in Kazakhstan, despite his full awareness of all the consequences of this decision. He based his fidelity to God and man on the heroic human and evangelical values and virtues. For him, the cardinal virtues on which faith, hope and love are built were the basis of humanity. He believed that his presence among the exiles is God’s will and he trusted Him despite the cruelty of people who humiliated his and his fellow men’s dignity. God’s love was the cause that he kept it and did not let it be poisoned by hatred. Bukowiński is a man for whom humility, poverty, obedience and purity are the good news about the value of truth for those who live according to that truth. There is no doubt that they were the way to holiness for Fr. Władysław, who fulfilled them in a heroic degree. On the 11 September 2016, he was beatified in Karaganda.
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Katarzyna Duda

Slavonic Culture, Vol. XIV, 2018, pp. 285 - 304

https://doi.org/10.4467/25439561KSR.18.014.9372
The following article is divided into two parts. The first, theoretical part, is connected literature”. The second part shows how these expressions are reflected in short stories and novels written by Russian authors after the collapse of communism. The authors try to prove that bravery can exist not only during wars, in concentrations camps, in special Soviet psychiatric prisons where dissidents were sent, but also in our common life. Not only are people described in the novels as cowards, informers and enemies but they are real heroes as well. They struggle with fatal diseases, poverty, death, the stupidity of other people. They look after their ill children, old parents meanwhile overcoming different obstacles and barriers. It turned out that the struggle for everyday existence is not easier than the war with invaders. As far as the everyday life is concerned, moral values and difficult choices are the most important.
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Bartłomiej Brążkiewicz

Slavonic Culture, Vol. XIV, 2018, pp. 305 - 334

https://doi.org/10.4467/25439561KSR.18.015.9373
Saint Petersburg – according to many, the most amazing and the only one of its kind city in the world, can be considered as a hero on many levels. One of them concerns the honorary title “Hero City” awarded to Leningrad for the outstanding heroism of its citizens during World War II , while the second is assigned to the city perceived as a literary hero. In agreement with the concept of the Petersburg Text of Russian Literature developed by V. Toporov, Saint Petersburg exclusively deserves to be identified as the city having its own, text written by a number of authors embodied in literature. The study concerning the contemporary variant of the Petersburg Text was somehow limited by the leading representative of Tartu-Moscow Semiotic School himself, who basically referred to the writings relating to the city of Saint Petersburg, starting with the images depicted in literary-canonical texts by A. Pushkin and N. Gogol and recognizing A. Blok and K. Vaginov as the topic-closing writers. Since then it could only be seen as the so-called “Leningrad Text” phenomenon. However, analyzing a number of exemplars constituting the entire Petersburg literary corpus, one could come to the conclusion that Toporov’s theories need to be reviewed in order to be consistent with contemporary Russian prose. Consequently, present-day authors not only demonstrate their deep attraction and admiration of Saint Petersburg, but also openly refer to its history, expand the environmental topics, uncover the emotional attachment to their homeland, expose their interest to urban myths, legends and traditions, or display solid relations to Petersburg literature heritage, which absolutely proves that Russian culture is constantly the literature-centered one. The study also shows that a noticeable relation to the traditional Petersburg Text can be observed in many of the latest works of prose which, again, proves the infiniteness of the entire concept.
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Bożena Pindus

Slavonic Culture, Vol. XIV, 2018, pp. 335 - 356

https://doi.org/10.4467/25439561KSR.18.016.9662
The beginning of the 19th century in Russia was characterized with the enactment of law. It was particularly ruthless regarding to criminals and people who were disloyal to the authorities. Hard prisons, exiles, and harsh treatment of the convicted were permanently included in the outlook of the system of penalties, for example the infringement of law. Moscow arrival of doctor Friedrich Haass in 1806, who as one of the first summoned to merciful treatment of the convicted, became the turning point of the attitudes to the exiled and the sentenced in the Tsar’s Russia. This article reminds the person of the heroic Doctor, who advocated the motto “Hurry up to make the good” opposed soulless Russian officials, providing own resources on undertaking reforms of the prison system, sending letters to the highest authorities (including Tsar), opposing the functioning system. Haass’s persistence and effectiveness of action, sacrifice towards the weakest and lack of interestedness impressed the surrounding, for which the attitude of the doctor was an example of truly Christian approach to the question of sympathy,
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