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https://doi.org/10.4467/25442554.MBK.18.024.9303Słowa kluczowe: information programme, framing, news, agenda setting, television, Radio Emaus, local radio, Catholic radiophony, Catholic media, content analysis, scholarly journals, manuscript selection, methodology, impact-factor, communications, post-modernity, post-modernism, narration, tradition, “Gazeta Polska”, history of Gdansk press, history of Polish liberalism, liberalism, Political Review, privatization, “Reality”, “Rondo”, party press, economic journalism, free market transformation, nomenclature capitalism, history of the Polish press, new new audiovisual media, branding, YouTube, Instagram, Snapchat, Grupa Filmowa Darwin, YouTube, communication, social media, community, Student culture, student theatres, hand theatre Co To, Bim-Bom, Cyrk Rodziny Afanasjeff, generation, generational experience, PRL, Polish contemporary theatre, Gdansk student theatres, Bim-Bom, Cyrk Rodziny Afanasjeff, Co To, communication, gender, motivational speech, body of texts, games, play, play origins, players, gamification