Data publikacji: 10.07.2018
Licencja:
CC BY-NC-ND
Redakcja
Redaktor naczelny Agata Świerzowska
Zastępca redaktora naczelnego Bożena Prochwicz-Studnicka
Sekretarz redakcji Agnieszka Kowalska
The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 7 - 28
https://doi.org/10.4467/24506249PJ.17.008.8762The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 29 - 52
https://doi.org/10.4467/24506249PJ.17.009.8763The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 53 - 76
https://doi.org/10.4467/24506249PJ.17.010.8764The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 77 - 102
https://doi.org/10.4467/24506249PJ.17.011.8765The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 103 - 126
https://doi.org/10.4467/24506249PJ.17.012.8766The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 127 - 132
The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 133 - 140
The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 141 - 145
Słowa kluczowe: Ixil Maya, Ilom, oral traditions, sacred landscape, creation myth, mayas peninsulares, aluxo´ob, cosmología, rituales, jmeen, Religión vivida, santería, México, toque de tambor, orisha, San Simón, Prostitutas, Bar, Violencia y Frontera ; San Simón, prostitutes, bar, violence, border, Cosmogonía, ritual, performance, simbolismo, espacios sagrados ; Cosmogony, symbolism, sacred places