Data publikacji: 10.07.2018
Licencja:
CC BY-NC-ND
Redakcja
Sekretarz redakcji Agnieszka Kowalska
The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 7-28
https://doi.org/10.4467/24506249PJ.17.008.8762The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 29-52
https://doi.org/10.4467/24506249PJ.17.009.8763The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 53-76
https://doi.org/10.4467/24506249PJ.17.010.8764The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 77-102
https://doi.org/10.4467/24506249PJ.17.011.8765The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 103-126
https://doi.org/10.4467/24506249PJ.17.012.8766The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 127-132
The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 133-140
The Polish Journal of the Arts and Culture. New Series, 6 (2/2017), 2017, s. 141-145
Słowa kluczowe: Ixil Maya, Ilom, oral traditions, sacred landscape, creation myth, mayas peninsulares, aluxo´ob, cosmología, rituales, jmeen, Religión vivida, santería, México, toque de tambor, orisha, San Simón, Prostitutas, Bar, Violencia y Frontera ; San Simón, prostitutes, bar, violence, border, Cosmogonía, ritual, performance, simbolismo, espacios sagrados ; Cosmogony, symbolism, sacred places