Data publikacji: 2020
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Licencja:
CC BY-NC-ND
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 11 - 40
https://doi.org/10.4467/24506249PJ.20.001.12987The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 41 - 63
https://doi.org/10.4467/24506249PJ.20.002.12988The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 65 - 92
https://doi.org/10.4467/24506249PJ.20.003.12989The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 93 - 111
https://doi.org/10.4467/24506249PJ.20.004.12990Przejście od klimatu przemocy do przemocy konkretnej. Kategoria rewolucji w filozofii Frantza Fanona
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 113 - 131
https://doi.org/10.4467/24506249PJ.20.005.12991The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 133 - 136
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 137 - 152
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 153 - 165
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, s. 167 - 170
Słowa kluczowe: ciało, ilustracja anatomiczna, sekcje zwłok, sztuka współczesna, Chos grags rgya mtsho, Karmapa VII, bar do’i rnam thar, mkhas pa’i dga’ ston, Liberation Story of the In-Between State, flamenco, duende, mimesis, Federico García Lorca, naśladowanie, Talmud babiloński, demonologia, Asmodeusz, Salomon, kolonializm, Frantz Fanon, rewolucja, przemoc, dekolonizacja, Itza Maya, conquest, rituals, reconnaissance, underwater archeology