Data publikacji: 31.10.2019
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The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 7 - 25
https://doi.org/10.4467/24506249PJ.19.001.11133The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 27 - 51
https://doi.org/10.4467/24506249PJ.19.002.11134The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 53 - 91
https://doi.org/10.4467/24506249PJ.19.003.11135The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 93 - 116
https://doi.org/10.4467/24506249PJ.19.004.11136The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 117 - 133
https://doi.org/10.4467/24506249PJ.19.005.11137The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 135 - 139
https://doi.org/10.4467/24506249PJ.19.006.11138The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 141 - 145
https://doi.org/10.4467/24506249PJ.19.007.11139The Polish Journal of the Arts and Culture. New Series, 9 (1/2019), 2019, s. 147 - 149
https://doi.org/10.4467/24506249PJ.19.008.11140Słowa kluczowe: tribal groups, violence, untouchability, caste, magic, Sanskritisation, monasticism, Advaita Vedānta, Śaṅkara, Nampūtiri brahmins, Kerala, Thrissur, Arabic script, Arabs, paleography, ḥijāzī, kūfī, naskhī, khaṭṭ mansūb, Buddhism, Hellenism, Gandhāra, sculpture, Śākyamuni, Panchen Lama, Palden Yeshe, Qianlong Emperor, yon – mchod