Wojciech Ryczek
Terminus, Tom 26, zeszyt 2 (71) 2024, 2024, s. 99-108
https://doi.org/10.4467/20843844TE.24.007.20384Wojciech Ryczek
Terminus, Tom 26, zeszyt 1 (70) 2024, 2024, s. 43-60
https://doi.org/10.4467/20843844TE.24.003.19706Wojciech Ryczek
Ruch Literacki, No 1 (382), 2024, s. 17-36
https://doi.org/10.24425/rl.2024.151625Wojciech Ryczek
Terminus, Tom XIII zeszyt 24 (2011), 2011, s. 163-172
https://doi.org/10.4467/20843844TE.11.011.0041The paper consists of two, closely related, parts, a brief introduction to the reading of the poem written by Neo-Latin poet from Cracow, Andrzej Schoen (Andreas Schoneus, 1552–1615), and the transcription of this text and its translation from original Latin into Polish. The ode dedicated to Jerzy Radziwiłł (Oda ad Georgium Radivilum, Sanctae Romanae Ecclesiae Cardinalem, Episcopum Cracoviensem, Principem amplissimum), bishop of Cracow, fits within the wider context of the imitation (and the emulation as well), concentrating on a literary game with the style of Pindar. Schoen produced his work in a style that mixes a poetic imaginary of the poet from Thebes and Horatian lyric discourse. The poetry created by Pindar is treated in this case as an inexhaustible source of the ideas associated mainly with the concept of a poet and a poetry as well as easily recognizable key-words and phrases taken from his poetic phraseology. The main aim of the perspective adopted in these critical enquiries is to present a variety of intertextual and cross-contextual connections between the lyric of Greek poet and the ode of his early modern imitator.
Wojciech Ryczek
Terminus, Special Issue 2 (2019), Special Issues, s. 219-235
https://doi.org/10.4467/20843844TE.19.009.11117Wojciech Ryczek
Terminus, Tom 17, zeszyt 1 (34), 2015, s. 201-207
Omówienie:
Humanista sine nomine. (Manfred Welti, Pożegnanie z Giovannim Bernardinem Bonifaciem, markizem d’Oria (1517–1597), przeł. Anna Marx-Vannini, słowo/obraz terytoria, Gdańsk 2013
Wojciech Ryczek
Terminus, Tom 19, zeszyt 2 (43), 2017, s. 469-476
Iwona Słomak, „Pheonix rhetorum” Jana Kwiatkiewicza. Wprowadzenie – przekład – opracowanie, nakładem Wydziału Polonistyki Uniwersytetu Warszawskiego, Warszawa 2016.
Wojciech Ryczek
Terminus, Tom XII zeszyt 23 2010, 2010, s. 79-93
Wojciech Ryczek
Terminus, Tom 16, Zeszyt 2 (31), 2014, s. 225-258
https://doi.org/10.4467/20843844TE.14.023.4253Wojciech Ryczek
Terminus, Tom 20, zeszyt 1 (46) 2018, 2018, s. 1-1
Wojciech Ryczek
Terminus, Tom XIII zeszyt 24 (2011), 2011, s. 163-172
https://doi.org/10.4467/20843844TE.11.012.0042Wojciech Ryczek
Wielogłos, Numer 4 (46) 2020: Strategie szczerości, 2020, s. 1-22
https://doi.org/10.4467/2084395XWI.20.027.13419Wojciech Ryczek
Terminus, Tom 16, zeszyt 3 (32), 2014, s. 381-386
Recenzja:
Gregson Davis, The Interplay of Ideas in Vergilian Bucolic, Leiden-Boston 2012
Wojciech Ryczek
Terminus, Tom 17, zeszyt 3 (36), 2015, s. 369-377
https://doi.org/10.4467/20843844TE.15.010.5092Recenzja
Kazania pasyjne, wyd. i oprac. J.S. Gruchała i K. Panuś, t. 3: Kazania w kulturze polskiej. Edycje kolekcji tematycznych, Wyd. UNUM, Kraków 2014, s. 590.
Wojciech Ryczek
Terminus, Tom 18, zeszyt 4 (41), 2016, s. 421-430
Wojciech Ryczek
Terminus, Tom 15, Zeszyt 3 (28), 2013, s. 335-358
https://doi.org/10.4467/20843844TE.13.021.1578Wojciech Ryczek
Terminus, Special Issue 1 (2019), Special Issues, s. 139-146
https://doi.org/10.4467/20843844TE.19.029.11290Wojciech Ryczek
Terminus, Tom 17, zeszyt 4 (37), 2015, s. 445-485
https://doi.org/10.4467/20843844TE.15.013.5142Wojciech Ryczek
Terminus, Tom 22, zeszyt 4 (57) 2020, 2020, s. 333-355
https://doi.org/10.4467/20843844TE.20.018.12538Wojciech Ryczek
Terminus, Tom 24, zeszyt 2 (63) 2022, 2022, s. 137-156
https://doi.org/10.4467/20843844TE.22.008.15666https://orcid.org/0000-0003-3288-1642
Wojciech Ryczek is Assistant Professor at the Faculty of Polish Studies, Jagiellonian University in Kraków. Research interests: history of rhetoric, modes of figuration, Neo-Latin literature, history of ideas, anthropology. Recent publications: Grzegorz z Sambora, Rozmyślanie trzecie (2023; co-edited with Elwira Buszewicz).
