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2015 Następne

Data publikacji: 24.02.2016

Opis
Publikacja wydana ze środków przeznaczonych na działalność statutową Wydziału Historycznego
Uniwersytetu Jagiellońskiego w Krakowie.

Licencja: Żadna

Redakcja

Redaktor naczelny Orcid Edward Dąbrowa

Zawartość numeru

Christian-Georges Schwentzel

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 7 - 18

https://doi.org/10.4467/20843925SJ.15.001.4223
At the time of the Hasmoneans and Herod the Great, the Jews were divided into various “groups” that defined themselves not only by doctrinal positions but also by political choices. These “groups” chose to support or not support the political power. Sometimes they radically changed their position, supporters suddenly becoming opponents, and vice versa. The problem is that the reasons we find in our sources, like Josephus, are often only pretexts.
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Edward Dąbrowa

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 19 - 30

https://doi.org/10.4467/20843925SJ.15.002.4224
On two occasions in his description of the siege of Jerusalem in 70 CE, Josephus mentions the “Camp of the Assyrians” as the area in which Titus’ quarters were located. The historian’s account suggests that the location of this site meant that it played an important role in the battles at the city walls. Scholars do not agree on where it was situated, despite the significance of this fact for accurate reconstruction of the progression of the siege of Jerusalem as well as determining the course of the so-called Third Wall. Analysis of the literary and archaeological evidence leads to the conclusion that the name “Camp of the Assyrians” refers to an area lying north-west of the present-day walls of Jerusalem, whose southern borders are demarcated by the remains of an ancient wall unearthed during archaeological excavations and identified by archaeologists as the Third Wall.
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Werner Eck, Dirk Koßmann

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 31 - 40

https://doi.org/10.4467/20843925SJ.15.003.4225
An i nscription allegedly found in Nazareth attested according to its first edition (1905) a cohors III Heliopolitanorum. However, no such unit ever existed in the Roman army. A new reading of the inscription shows that in reality a soldier of the legio IV Flavia is mentioned in the document. The article shows the problem of dating the presence of this legion, normally stationed in Moesia superior, in the East. It seems possible that the legio IV Flavia or a vexillatio of it participated in the war against Bar Kochba.
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Alicja Maślak-Maciejewska

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 41 - 53

https://doi.org/10.4467/20843925SJ.15.004.4226
This article presents the history and religious views of the Kraków’s Association of Progressive Jews in the last quarter of the 19th century, a favorable period in the history of this group. The article discusses certain aspects of the history of this milieu (legal status, authorities, finances, growth), social work it undertook, and the religious life of the Tempel synagogue. Special emphasis was put on the sources of religious standpoint of progressives, on the scope of the religious life, and the preachers’ activities (Moritz Duschak and Samuel Landau at that time). The article contributes to the research on Progressive Judaism in Polish lands and to the religious history of Galician and Krakovian Jewry.
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Paweł Jasnowski

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 55 - 65

https://doi.org/10.4467/20843925SJ.15.005.4227

The article is devoted to the pro-Polish integrationist group, an important part of the modernizing section of the Jewish community in Poland, in the second half of the 19th century. The author focuses on Ojczyzna, a Polish-language bulletin and the first regular Polish-language newspaper of the pro-Polish integrationist group in Galicia. The study is an attempt to show how the idea of integration was finally abandoned at the turn of the century, and integration ceased to be seen as the solution to “the Jewish question.”

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Andreas Lehnardt

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 67 - 80

https://doi.org/10.4467/20843925SJ.15.006.4228

The article summarizes and highlights some sections of the autobiography of Abraham Stub, a Jew born in Bobowa into a family of adherents of the Bobower Rebbe. In his early childhood Stub migrated with his parents to Mainz in Germany, later escaping the Shoah to Palestine, where he managed to establish a store in the center of West Jerusalem (Ma‛ayan Stub). The autobiography, written in Hebrew, was until recently unknown, although it contains interesting information about the relationship of Jews from Bobowa with their home town after migration, as well as transmitting remarkable biographical details about Rebbe Ben Zion Halberstam’s life in Bobowa. Stub depicts himself as a traditional Jew who during and after World War I and his service in the Austrian army became more and more a religious Zionist. His book thus also provides many insights into the early development of the Mizrahi movement in Germany, where Jews from Eastern Europe, especially from Galicia, were often discriminated against by German Jews and therefore established their own small prayer circles (Mahzike ha-das). Stub’s life story developed from this traditional Hasidic Diaspora background into a typical religious Zionist, so to speak Israeli orthodox biography. It might serve as an example for further studies about migration from the East to the West and further on to Israel, where Jews from Poland or a Polish background still play a dominant role in the political and religious public sphere.

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Agnieszka Friedrich

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 81 - 92

https://doi.org/10.4467/20843925SJ.15.007.4229
For more than six years, Rola – a Warsaw periodical that appeared weekly from 1883 to 1912 with a circulation of two thousand copies – published a series of articles about the position of wealthy Jewish families in Polish society. This series was commissioned by editor-in-chief Jan Jeleński and was of a quasi-documentary character (fictional but based on facts from real Jewish families with changed names). The title of the series was “Podskarbiowie Narodu” [The Treasurers of the Nation].
The vocabulary used in this series expressed the phobias and anxieties of Rola’s staff, among which the biggest was the fear that Jewish families would take over Polish society and infect it with cynical philosophy, ruled by money. This would confirm the negative stereotype of the Jew always preoccupied with money and chasing after a “golden calf.”
Jeleński and his colleagues believed that the Jewish nature was different than the Polish one, being based on lower-level values and therefore very dangerous. Once infected, Polish families could later imitate that cynical approach. They were also afraid of the way Jewish families supported each other strongly. Jeleński perceived this support – though of great value for the Jews themselves – as a great threat. He worried that Jewish families grew stronger and united, building a new kind of clan of a nouveau-riche character based on fictitious splendor and dominant influence.
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Marek Tuszewicki

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 93 - 112

https://doi.org/10.4467/20843925SJ.15.008.4230
The article deals with the subject of popular demonology as a space of symbolic contact between Jewish culture and the largely Slavic surrounding culture(s) in the Eastern Europe. It brings together two main themes – the presence of Christian beliefs about witchcraft, and demonic representations of diseases (e.g. kolten, hartsvorem, etc.) – as seen and evaluated within the Ashkenazi milieu at the turn of the 20th century. Based on print and handwritten sources of various origins, the article presents examples of extensive intercultural contact, emphasizing their scope and meaning, as well as their limitations, in historical/cultural context.
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Magdalena Kozłowska

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 113 - 119

https://doi.org/10.4467/20843925SJ.15.009.4231

This article discusses the Bund’s gender politics present in Tsukunft, the youth organization of the party. In the interwar period Tsukunft grew into one of the most active and dynamic organizations within the Bundist movement in Poland. The author analyzes Tsukunft’s discourse to find out the actual position of the women in the organization. By confronting the organization’s material with the sources produced by the movement’s women activists, the author tries to find out more about women’s experience in Tsukunft. The article therefore incorporates the marginalized narrative of and on Jewish women into modern historiography.

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Agnieszka Yass-Alston

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 121 - 141

https://doi.org/10.4467/20843925SJ.15.010.4232
Interwar Kraków was a vibrant cultural center in newly independent Poland. Jewish intelligentsia played a significant part in preservation of Krakowian culture, but also endowed artist and cultural institutions. In a shadow of renowned Maurycy Gottlieb, there is his great collector
and promoter of his artistic oeuvre, Rudolf Beres (1884-1964). The core of the collection was inherited from his father Emil. Rudolf, who arrived to Kraków to study law, brought these pictures with him, and with time extended the collection, not only with Maurycy Gottlieb’s artworks, but also other distinguished Polish artists. As a director of the Kraków Chamber of Commerce and Industry he played an influential role in the city and country scene. As a member of Solidarność – Kraków B’nai Brith chapter, he was active in the cultural events and ventures in the city. He was the main force behind the famous exhibition of Maurycy Gottlieb’s of 1932 in the National Museum in Kraków. Rudolf collected extensive information on Maurycy in order to commemorate his life and promote artistic oeuvre of the first Jewish artist of such significance. His home art gallery, mostly because of Gottlieb’s collection was visited by various Jewish activists; for example Hayim Nahman Bialik. Moreover, Rudolf planned to exhibit Maurycy’s work in Tel Aviv. With a group of B’nai B’rith members he traveled with his wife to visit Palestine. He was a close friend of Feliks Kopera, the director of the National Museum in Kraków, for which he extensively organized money collection for erecting a new galleries’ building.
The paper presents forgotten and unpublished facts about a Jewish art collector of Kraków,
a person whose art works he once possessed and cherished, are now in various museums and private collections as a result of WWII and communist regime. I bring the man back from obscurity of history’s selectiveness. The historical documents, family heirlooms and discovered war memoirs of Rudolf construct the past of the great Jewish citizen of Kraków without whom Maurycy Gottlieb could have been unknown as much as he is known now.
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Natasza Styrna

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 143 - 154

https://doi.org/10.4467/20843925SJ.15.011.4233
The painter Sasza Blonder (1909-1949) was born into a tradition-observing Jewish family in Chortkiv in Podolia. In the 1930s he belonged to the avant-garde Grupa Krakowska, whose members were Poles and Jews of radical left views. His works of that period included both abstract and figurative compositions. He was the only artist in the group interested in subjects taken from Jewish life, examples of which can be found in his sketchbooks. In 1937 Blonder moved to Paris. During the war he hid in the south of France under the false name André Blondel. His memoirs written at this time testify to Blonder’s strong links with the Jewish milieu. His death at the early age of 40 interrupted the career of this interesting and talented artist.
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Magdalena Ruta

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 155 - 172

https://doi.org/10.4467/20843925SJ.15.012.4234

The article examines Yiddish-Polish writers’ response to the Holocaust in their poetry written in the years 1941-1948 and published in Poland in the early postwar years, when the country enjoyed relative political freedom. Special attention is given to a highly interesting theme appearing in the wartime lyrics written by Jewish survivors in the East (like B. Heller, H. Rubin, R. Żhikhlinsky, A. Zak), i.e. their call to arms addressed to the Jews living in Nazi-occupied Poland. The refugees could not bear the thought that whole masses of Jews died without putting up a fight in the ghettoes and camps in the West. It was probably this helplessness that evolved into their poetic appeal addressed to their ghettoized brethren, their call for resistance and punishment of the Nazi German murderers. Interestingly, the works of some writers who survived in the ghettos (such as Y. Shpigl, Y. Katsenelson and others), prove that ghettoized Jews who were tormented by the “docile death” complex also dreamed about being involved in an armed struggle against the Nazi Germans, but were aware of their weakness in the face of a much stronger enemy. Immediately after the war, this discrepancy of experience and knowledge led to a serious lack of understanding between those Jews who had survived in Poland and those who had survived in the East. The article examines these difference of experiences as it is reflected in the poetry.

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Ewa Tartakowsky

Scripta Judaica Cracoviensia, Volume 13, 2015, s. 173 - 185

https://doi.org/10.4467/20843925SJ.15.013.4235

After an overview of the historiography of North African Jews, the article presents Dario Miccoli’s book Histories of the Jews of Egypt: An Imagined Bourgeoisie, 1880s-1950s, published in 2015. In this recent study, the author proposes an interesting thesis on the construction of the collective identity of Egyptian Jews in line with the “bourgeoisie” reference model, idealized regardless of the objective reality of their economic condition. Based on archival and literary sources of the time, individual trajectories and social practices, but also social, political and cultural broader contexts are analyzed to outline the construction of this unique collective imagination that has survived in the diaspora.

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Słowa kluczowe: Hasmoneans, Herod, political Judaism, Jerusalem, Siege of Jerusalem (70 CE), “Camp of the Assyrians”, Third Wall, Second Wall, Damascus Gate, archaeology of Jerusalem, legio IV Flavia in the East, Parthian wars, Bar Kochba revolt, progressive Judaism, Kraków, Galicia, Tempel synagogue, 19th century, preacher, Moritz Duschak, Samuel Landau, integrationist, integration, assimilation, Polonization, Lvov, Galicia, Polish-Jewish relations, anti-Semitism, Aliyah, Bobowa, Holocaust, Jerusalem’s modern history, the Halberstam family, Hasidism, Germany, the State of Israel, Mainz, Mahzike ha-das, migration, Mizrahi, orthodoxy, Abraham Stub, Zionism, Jewish family, anti-Semitism, the image of the Jew, folklore, demonology, medicine, Jewish-Slavic relations, Bund, Tsukunft, women, gender, interwar Poland, Jewish art collectors, Jewish collectors; provenance research, B’nai B’rith, Kraków, Lvov, Milanowek, Holocaust, National Museum in Kraków, Association of Friends of Fine Arts, Nowy Dziennik, Polish artists of Jewish origin, Polish art collectors of Jewish origin, Jewish heritage in Kraków, Emil Beres, Rudolf Beres, Chaim Nachman Bialik, Maurycy Gottlieb, Jacek Malczewski, Jozef Stieglitz, Sasza Blonder, André Blondel, art, avant-garde, Jews, Grupa Krakowska, Kraków, WWII, Yiddish literature on the Holocaust, Jewish survivors, the Soviet Union; occupied Poland, ghettoized Jews, resistance, passivity, Egypt, Maghreb, Mizrahi, Jews of Egypt, Maghrebi Jews, Sephardim, Sephari Jews