Słowa kluczowe: charity, Jewish communities, Polish-Lithuanian Commonwealth, Early Modern period, Jewish women, teaching religion, women, female teachers, public schools, Galicia, uprooted woman, Berkowitz, Diaspora, Hebrew prose, talush, Shakespearean actresses, The Tempest, Hamlet, The Merchant of Venice, Shakespeare, Yiddish theater, Circle of Jewish Women, women’s Zionist organizations, city of Lviv, feminism, Austrian Galicia, interwar Poland, art, Kraków, interwar period, women, Sara Gliksman-Fajtlowicz, Holocaust art, Polish-Jewish art in Poland, postwar art of the years 1945–1960, rebirth in the Jewish art, Warsaw Ghetto, Women’s Circles, Women’s Social Service, Jewish Social Self-Help, House Committees, labor camp literature, memories, labor camps, exile, USSR, Stalinism, Ola Watowa, Ruth Turkow Kaminska, Sheyne-Miriam Broderzon, Aleksander Wat, Adi Rosner, Erika Rosner, Moyshe Broderzon, antisemitism, Holocaust, Polish-Jewish relations