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Publication date: 31.03.2021
Licence: CC BY
Editorial team
Editor-in-Chief Orcid Ewa M. Wierzbowska
Nadège Langbour
Cahiers ERTA, Numéro 25, 2021, pp. 9 - 31
Espace sonore, espace social. Analyse d’un extrait de Notre-Dame de Paris de Victor Hugo
Alizée Goulet
Cahiers ERTA, Numéro 25, 2021, pp. 33 - 56
Sofia Chatzipetrou
Cahiers ERTA, Numéro 25, 2021, pp. 57 - 79
Tannhäuser réhabilité (III) – Le concert d’Eugène d’Harcourt
Michał Piotr Mrozowicki
Cahiers ERTA, Numéro 25, 2021, pp. 81 - 104
Słowa kluczowe: art critism, painting, music, auditory, synesthesia, XIXth century, literature, soundscape, society, space, auditory perception, silence, happiness, unhappiness, Wagner’s reception in France, Tannhäuser, history of the opera