Faculty of Languages - University of Gdańsk
Cahiers ERTA, Numéro 24, 2020, pp. 29 - 44
https://doi.org/10.4467/23538953CE.20.016.13218Cahiers ERTA, Numéro 24, 2020, pp. 45 - 64
https://doi.org/10.4467/23538953CE.20.017.13219Cahiers ERTA, Numéro 24, 2020, pp. 89 - 102
https://doi.org/10.4467/23538953CE.20.019.13221Cahiers ERTA, Numéro 24, 2020, pp. 103 - 115
https://doi.org/10.4467/23538953CE.20.020.13222Słowa kluczowe: embroidery, writing, gender, needlework, feminism, hair, bodyhair, fences, censorship, libertine, queue, ink brush, castration, creation, Xavier de Maistre, Savoie, fatherland, counter‐revolution, romanticism, Mérimée, Poland, Russia, anti-Russian revolts, Lituania, Wagner`s reception in France, Tannhäuser, history of the opera