Słowa kluczowe: Samuel Beckett, negative path, dispossesion, disfigurement, coincidentia oppositorum, Valère Novarina, calling theater, lyrism, abstention, incompetence, Theatre, cruelty, alchemy, negative poetics, void, debirth, failure and creativity, apophasis, abstraction, indifferentiation, de-imagination, insignificance, non-duality, real, unrepresentable, impermanenece, empty and full, non-action, non-painting, simulation, error as intentional, unique sign, incommunicable phantasm, simulacre, Marcel Proust, Sodom and Gomorrah, translation, sociology, language