Faculty of Languages - University of Gdańsk
Cahiers ERTA, Numéro 37, 2024, pp. 29 - 45
https://doi.org/10.4467/23538953CE.24.002.19416Cahiers ERTA, Numéro 37, 2024, pp. 47 - 72
https://doi.org/10.4467/23538953CE.24.003.19417Cahiers ERTA, Numéro 37, 2024, pp. 73 - 97
https://doi.org/10.4467/23538953CE.24.004.19418Cahiers ERTA, Numéro 37, 2024, pp. 99 - 115
https://doi.org/10.4467/23538953CE.24.005.19419Cahiers ERTA, Numéro 37, 2024, pp. 135 - 144
https://doi.org/10.4467/23538953CE.24.007.19421Słowa kluczowe: Antinomy, aporia, labyrinth, paradox, Henri Michaux, labyrinth, multiplicity, wandering, Arthur Dreyfus, French Contemporary Literature, Literary Theories, Labirynthine Writing, Subjectivities, Maya Cousineau Mollen, poetry, labyrinth, postcolonial experience, Canadian Native Americans, investiagtion, labyrinth, crime, création, literature, Jean-Luc Godard, ut pictura poesis, hétérotopie cinématographique, Godardesque, Rolling Stones
