Cahiers ERTA, Numéro 19, 2019, pp. 41 - 55
https://doi.org/10.4467/23538953CE.19.019.11066Cahiers ERTA, Numéro 19, 2019, pp. 57 - 71
https://doi.org/10.4467/23538953CE.19.020.11067Cahiers ERTA, Numéro 19, 2019, pp. 73 - 85
https://doi.org/10.4467/23538953CE.19.021.11068Cahiers ERTA, Numéro 19, 2019, pp. 87 - 102
https://doi.org/10.4467/23538953CE.19.022.11069Cahiers ERTA, Numéro 19, 2019, pp. 103 - 116
https://doi.org/10.4467/23538953CE.19.023.11070Cahiers ERTA, Numéro 19, 2019, pp. 117 - 134
https://doi.org/10.4467/23538953CE.19.024.11071Słowa kluczowe: Filiation narratives, literary forms, contemporary, French literature, poetics of genres, filiation narratives, non-narrative filiation, spectacle, author, visibility, invisibility, Québec literature, filiation narratives, migrant literature imaginery, Éric Dupont, Nicolas Dickner, roman inuit, littérature française, récit defiliation, mémoire, troisième sexe, Orengo, Genesis, drone, desire, knowledge, Camps de concentration nazis, Primo Levi, Robert Antelme, Charlotte Delbo, Jorge Semprun, traumatisme, rescapés, mégère, reprise, Michel de Ghelderode, résurrection d'une fille