Faculty of Languages - University of Gdańsk
Cahiers ERTA, Numéro 20, 2019, pp. 25 - 37
https://doi.org/10.4467/23538953CE.19.026.11550Cahiers ERTA, Numéro 20, 2019, pp. 39 - 52
https://doi.org/10.4467/23538953CE.19.027.11551Cahiers ERTA, Numéro 20, 2019, pp. 53 - 67
https://doi.org/10.4467/23538953CE.19.028.11552Cahiers ERTA, Numéro 20, 2019, pp. 69 - 84
https://doi.org/10.4467/23538953CE.19.029.11553Cahiers ERTA, Numéro 20, 2019, pp. 85 - 98
https://doi.org/10.4467/23538953CE.19.030.11554Cahiers ERTA, Numéro 20, 2019, pp. 99 - 109
https://doi.org/10.4467/23538953CE.19.031.11555Cahiers ERTA, Numéro 20, 2019, pp. 125 - 140
https://doi.org/10.4467/23538953CE.19.033.11557Słowa kluczowe: Récit de filiation, Novel, Vera Feyder, Mother, Father, Filiation narrative, autopathography, phantom, crypt, J. M. G. Le Clézio, Alma, filiation novel, restitution, extinction, filiative narrative, family, biography, memory, Éric Laurrent, filiation, Francophonie, alienation, memory, paracolonialism, Belgian literature, Françoise Mallet‐Joris, filiation narratives, Marceline Debordes‐Valmore, biography, filiation, Algerian War, Samir Toumi, Gailly, musician, jazz, jazznovel, Lenormand, climatic play, fog, tropical climate, tragic vision of the world