Faculty of Languages - University of Gdańsk
The configuration of happiness and unhappiness as part of the auditory landscape: the work of Albert Camus
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RIS BIB ENDNOTEPublication date: 31.03.2021
Cahiers ERTA, 2021, Numéro 25, pp. 57 - 79
https://doi.org/10.4467/23538953CE.20.023.13547Authors
La configuration du bonheur et du malheur dans le cadre du paysage auditif : l’oeuvre d’Albert Camus
This essay aims to analyze the poetics of the soundscape in Albert Camus’ work, based in the notions of happiness and unhappiness. Our purpose will be to define the characteristics of the symbolism of auditory perception, which are elaborated on the double configuration between happiness and unhappiness. The fact that the symbolic universe of Camus outlines a total sensory experience does no longer need to be demonstrated. Starting from his first lyrical writings to the Notebooks, his writing appeals arouses all the senses. Through a comparative study of examples relating to happiness and unhappiness and while underlining the predominant place of silence in Camus’ aesthetics, we will come off to the conclusion that Camus’s work constitutes a real kind of field recording.
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Information: Cahiers ERTA, 2021, Numéro 25, pp. 57 - 79
Article type: Original article
Titles:
The configuration of happiness and unhappiness as part of the auditory landscape: the work of Albert Camus
Université Sorbonne Nouvelle – Paris 3
Published at: 31.03.2021
Article status: Open
Licence: CC BY
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