Publication date: 2020
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The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 11 - 40
https://doi.org/10.4467/24506249PJ.20.001.12987The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 41 - 63
https://doi.org/10.4467/24506249PJ.20.002.12988The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 65 - 92
https://doi.org/10.4467/24506249PJ.20.003.12989The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 93 - 111
https://doi.org/10.4467/24506249PJ.20.004.12990Przejście od klimatu przemocy do przemocy konkretnej. Kategoria rewolucji w filozofii Frantza Fanona
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 113 - 131
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The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 137 - 152
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 153 - 165
The Polish Journal of the Arts and Culture. New Series, 11 (1/2020), 2020, pp. 167 - 170
Słowa kluczowe: body, anatomical illustration, autopsy, contemporary art, Chos grags rgya mtsho, Karmapa VII, bar do’i rnam thar, mkhas pa’i dga’ ston, Liberation Story of the In-Between State, flamenco, duende, mimesis, Federico García Lorca, imitation, Babylonian Talmud, demonology, Asmodeus, Salomon, Frantz Fanon, revolution, decolonisation, violence, conquest, rituals, reconnaissance, underwater archeology, Itza Maya