The Changing Position of the Theatergoer in the Changing Space of Online Performances

Otília Ármeán Fülöp

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Data publikacji: 28.09.2022

Zeszyty Prasoznawcze, 2022, Tom 65, Numer 3 (251), s. 11 - 17

https://doi.org/10.4467/22996362PZ.22.025.15952

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Tytuły

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Abstrakt

During the last year we all were banned to participate in our everyday life using online transmission, homework, homeschool and different digital tools. But with all this we also gained access to cultural or other practices that previously were not part in our everyday life. That resulted in a detailed spectrum of participation from the form of listening-observing to the different levels of giving feedback and taking control (for example putting questions to the other participants or to the crew, taking part in the discussion, pausing or leaving an event). This paper investigates the possibilities of agency given to the participants by the online theater. It starts from personal experiences, but ends in questions regarding the medial nature of this new transmission form: to what extent should digitally transmitted performances, shows be considered theater? And if they are not theater, what are they?

Słowa kluczowe

hypermedium, theater, agency, cool media, inclusive

Bibliografia

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Informacje

Informacje: Zeszyty Prasoznawcze, 2022, Tom 65, Numer 3 (251), s. 11 - 17

DOI: https://doi.org/10.4467/22996362PZ.22.025.15952

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Angielski:

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Autorzy

Otília Ármeán Fülöp

https://orcid.org/0000-0002-5379-2326

Sapientia Hungarian University of Transylvania, Târgu Mureș, Rumunia

Publikacja: 28.09.2022

Status artykułu: Otwarte

Licencja: CC BY

Udział procentowy autorów:

Otília Ármeán Fülöp (Autor) - 100%

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