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XR Workflows in Film Production: Demonstration for Educational Purposes

Data publikacji: 2023

Zarządzanie Mediami, 2022, Tom 10, Numer 4, s. 245 - 264

https://doi.org/10.4467/23540214ZM.22.017.17961

Autorzy

,
Filip Gabriel Pudło
Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi
, Polska
https://orcid.org/0000-0002-1415-1964 Orcid
Wszystkie publikacje autora →
,
Małgorzata Kotlińska
Uniwersytet Łódzki, Polska, ul. Narutowicza 65, 90-131 Łódź
https://orcid.org/0000-0003-4160-7362 Orcid
Wszystkie publikacje autora →
,
Wojciech Olchowski
Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi
, Polska
https://orcid.org/0000-0002-3731-6485 Orcid
Wszystkie publikacje autora →
,
Katarzyna Kopeć
Instytut Kultury Uniwersytetu Jagiellońskiego
ul. prof. Stanisława Łojasiewicza 4, 30-348 Kraków, Polska
https://orcid.org/0000-0002-2426-0275 Orcid
Wszystkie publikacje autora →
Marta Materska-Samek
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
https://orcid.org/0000-0002-4432-0933 Orcid
Wszystkie publikacje autora →

Tytuły

XR Workflows in Film Production: Demonstration for Educational Purposes

Abstrakt

The use of the XR production technologies has expanded recently in the film industry and heavily influenced the film production process. This paper aims therefore to explore the differences between diverse XR production workflows. The analysis provides criteria for workflow paths of traditional approach to film production and XR production flow, including workflow structure, skills, education, and equipment. Defined XR techniques are discussed for educational purposes. Its illustrations are three case studies of cinematic VR production, computer-generated VR production and Virtual Production. They are the basis for workflow comparison and discussion on artistic decisions and production challenges for film related Higher Education Institutions (HEI) students and scholars.

JEL: I23, L82, O32, O33

* The article was developed within the framework of the project “Experience and immersive technologies – from creative practice to educational theory” in partnership with Jagiellonian University, Łódź Film School, University of Malta and University of Athens (project ID number: 2020-1-PL01-KA226-HE-095891).

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Informacje

Informacje: Zarządzanie Mediami, 2022, Tom 10, Numer 4, s. 245 - 264

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

XR Workflows in Film Production: Demonstration for Educational Purposes

Angielski:

XR Workflows in Film Production: Demonstration for Educational Purposes

Autorzy

https://orcid.org/0000-0002-1415-1964

Filip Gabriel Pudło
Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi
, Polska
https://orcid.org/0000-0002-1415-1964 Orcid
Wszystkie publikacje autora →

Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi
Polska

https://orcid.org/0000-0003-4160-7362

Małgorzata Kotlińska
Uniwersytet Łódzki, Polska, ul. Narutowicza 65, 90-131 Łódź
https://orcid.org/0000-0003-4160-7362 Orcid
Wszystkie publikacje autora →

Uniwersytet Łódzki, Polska, ul. Narutowicza 65, 90-131 Łódź

https://orcid.org/0000-0002-3731-6485

Wojciech Olchowski
Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi
, Polska
https://orcid.org/0000-0002-3731-6485 Orcid
Wszystkie publikacje autora →

Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi
Polska

https://orcid.org/0000-0002-2426-0275

Katarzyna Kopeć
Instytut Kultury Uniwersytetu Jagiellońskiego
ul. prof. Stanisława Łojasiewicza 4, 30-348 Kraków, Polska
https://orcid.org/0000-0002-2426-0275 Orcid
Wszystkie publikacje autora →

Instytut Kultury Uniwersytetu Jagiellońskiego
ul. prof. Stanisława Łojasiewicza 4, 30-348 Kraków, Polska

https://orcid.org/0000-0002-4432-0933

Marta Materska-Samek
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
https://orcid.org/0000-0002-4432-0933 Orcid
Wszystkie publikacje autora →

Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków

Publikacja: 2023

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY  ikona licencji

Udział procentowy autorów:

Filip Gabriel Pudło (Autor) - 20%
Małgorzata Kotlińska (Autor) - 20%
Wojciech Olchowski (Autor) - 20%
Katarzyna Kopeć (Autor) - 20%
Marta Materska-Samek (Autor) - 20%

Korekty artykułu:

-

Języki publikacji:

Angielski