Publication date: 2022
Licence:
CC BY
Editorial team
Editor-in-Chief Grażyna Urban-Godziek
Issue Editor Michał Czerenkiewicz
Terminus, Volume 24, issue 4 (65) 2022, 2022, pp. 335 - 381
https://doi.org/10.4467/20843844TE.22.017.16561Terminus, Volume 24, issue 4 (65) 2022, 2022, pp. 383 - 405
https://doi.org/10.4467/20843844TE.22.018.16562Terminus, Volume 24, issue 4 (65) 2022, 2022, pp. 407 - 424
https://doi.org/10.4467/20843844TE.22.019.16563Terminus, Volume 24, issue 4 (65) 2022, 2022, pp. 425 - 430
https://doi.org/10.4467/20843844TE.22.020.16564Terminus, Volume 24, issue 4 (65) 2022, 2022, pp. 431 - 438
https://doi.org/10.4467/20843844TE.22.021.16565Słowa kluczowe: Baltazar Opec, Żywot Pana Jezu Krysta, Pelbartus Ladislaus de Temesvár, Stellarium corone, Biblical and apocryphal narratives, Dormition and Assumption of the Mother of God, Pindar, epinicion, Jan Kochanowski, Jakub Vitellius, imitation, stylistic differences, Vistula River, Polish literature, Renaissance literature, history of cartography, National Museum in Cracow, exhibition