Publication date: 2018
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Marek Piekarczyk
Issue Editor Grażyna Urban-Godziek
Terminus, Volume 20, Issue 3 (48) 2018, 2018, pp. 283 - 311
https://doi.org/10.4467/20843844TE.18.015.10084Terminus, Volume 20, Issue 3 (48) 2018, 2018, pp. 313 - 351
https://doi.org/10.4467/20843844TE.18.016.10085Terminus, Volume 20, Issue 3 (48) 2018, 2018, pp. 353 - 381
https://doi.org/10.4467/20843844TE.18.017.10086Terminus, Volume 20, Issue 3 (48) 2018, 2018, pp. 383 - 401
https://doi.org/10.4467/20843844TE.18.018.10087Terminus, Volume 20, Issue 3 (48) 2018, 2018, pp. 403 - 409
Słowa kluczowe: Pseudo-Ars amatoria, pseudoovidiana, Cracow University, ars dictaminis, Ovid, Samuel Twardowski, elegy, epic, epyllion, romance, love, illness, allegory, topos of wandering, Castilian epic, cantares de gesta, Bernardo del Carpio, Mainete, La condesa traidora, Cantar de los siete infantes de Lara, Romanz del Infant García, Cantar de Sancho II y el cerco de Zamora, early modern book culture, book history, printed book production, post-Tridentine missal, Krakow/Cracow printing