Przekształcanie wzorców w muzyce rockowej – przypadek No Fun zespołu The Stooges

Barnaba Matusz

Tytuły

Przekształcanie wzorców w muzyce rockowej – przypadek No Fun zespołu The Stooges

Abstrakt

Transformations of models in rock music – the case of No Fun by The Stooges

The article tracks a connection between songs No Fun by The Stooges and Johnny Cash’s I Walk The Line that Iggy Pop briefly hinted in a Dutch documentary Lust For Life. The rocker declared that the Cash’s piece was used by The Stooges as a pattern for No Fun. Indeed, the analysis of a structure of both songs shows many similarities but also exposes elements in which two songs significantly differ in their tonality and construction of phrases.

After a recognition of Iggy Pop’s short career as a blues musician involved in the American blues revival and some structural features of blues, it seems to be possible that the aforementioned differences could derive from the structure of the latter that was blended with the country music pattern.

The article tracks a connection between songs No Fun by The Stooges and Johnny Cash’s I Walk The Line that Iggy Pop briefly hinted in a Dutch documentary Lust For Life. The rocker declared that the Cash’s piece was used by The Stooges as a pattern for No Fun. Indeed, the analysis of a structure of both songs shows many similarities but also exposes elements in which two songs significantly differ in their tonality and construction of phrases.

After a recognition of Iggy Pop’s short career as a blues musician involved in the American blues revival and some structural features of blues, it seems to be possible that the aforementioned differences could derive from the structure of the latter that was blended with the country music pattern.

Słowa kluczowe

The Stooges, Iggy Pop, Johnny Cash, blues, rock

Bibliografia

Ambrose J., Gimme Danger. The Story of Iggy Pop, Ebbw Vale 2008.

Hatch D., Millward S., From Blues to Rock. An Analytical History of Pop Music, Manchester 1987.

Kubik G., Blue note, [w:] Grove Music Online, [online] http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2234425 [dostęp: 16.07.2016].

Johnson G.B., Odum H.D., The Negro and his Songs. A Study of Typical Negro Songs in the South, Chapel Hill 1925, [online] https://archive.org/details/negrohissongsstu00odum [dostęp: 27.11.2016].

Lust For Life [film], reż. B. van Splunteren, Holandia 1986, [online] http://www.vpro.nl/speel.WO_VPRO_043295.html [dostęp: 29.06.2016].

Oliver P., Blues, [w:] Grove Music Online, [online] http://www.oxfordmusiconline.com/subscriber/article/grove/music/03311 [dostęp: 02.05.2015].

Schmidt A., Historia jazzu, t. 1, Rodowód, Warszawa 1989.

Schwartz R.F., How Britain Got the Blues. The Transmission and Reception of American Blues Style in the United Kingdom, Burlington–Aldershot 2007.

Taft M., The Blue Lyric Formula, New York–London 2006.

Titon J.F., Early Downhome Blues. A Musical and Cultural Analysis, Chapel Hill–London 1994.

Trynka P, Iggy Pop. Open Up and Bleed. Upadki, wzloty i odloty legendarnego punkowca, tłum. M. Tumidajewicz, Kraków 2012.

Weisethaunet H., Is There Such a Thing as the ‘Blue Note’?, „Popular Music” 20 (2001), nr 1.

Dyskografia

The Black Keys, Chulahoma: The Songs of Junior Kimbrough [CD], Fat Possum Records, 2006.

The Black Keys, The Moan [płyta gramofonowa], Alive Records, 2004.

Cash Johnny, I Walk the Line [płyta gramofonowa], Friday Music, 2016.

Johnson Robert, King Of The Delta Blues Singers Vol. II [płyta gramofonowa], Columbia Records, 1971.

McTell „Blind” Willie, The Complete Recorded Works in Chronological Order Volume 1 [płyta gramofonowa], Third Man Records, 2013.

The Stooges, The Stooges [CD], Elektra Records, 2005.

Informacje

Informacje: Kwartalnik Młodych Muzykologów UJ, 2016, Numer 31 (4/2016), s. 118 - 134

DOI: https://doi.org/10.4467/23537094KMMUJ.16.024.8063

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Przekształcanie wzorców w muzyce rockowej – przypadek No Fun zespołu The Stooges

Angielski:

Transformations of models in rock music – the case of No Fun by The Stooges

Autorzy

Barnaba Matusz

Uniwersytet Jagielloński w Krakowie
Polska

Publikacja: 25.05.2018

Status artykułu: Otwarte

Licencja: Żadna

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