Discursive Power: On Canon, Language, and Music as Dispositif
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RIS BIB ENDNOTEDiscursive Power: On Canon, Language, and Music as Dispositif
Data publikacji: 31.07.2019
Kwartalnik Młodych Muzykologów UJ, 2019, Numer 41 (2/2019), s. 5 - 22
https://doi.org/10.4467/23537094KMMUJ.19.004.10811Autorzy
This essay aims to interconnect the aspects of canon, cultural musicology, music and language with the systematic category of dispositif. In a short overview on the disciplinary canon debate, the essay describes the idea of a musical canon and questions its methodological status in musicology. The conclusion is that (aesthetic) value judgements are to be rejected as scientific (consequently rational or intersubjectively reasonable) selection criteria. The second argument draws on Lawrence Kramer’s notion of “constructive description”, which addresses the relation of music and language and helps in understanding the canon as a specific historical agency of different overlapping discourses. In order to outline an integrative ontology for the epistemological interest of cultural musicology, the last section synthesises these arguments in the Foucauldian idea of dispositif.
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Informacje: Kwartalnik Młodych Muzykologów UJ, 2019, Numer 41 (2/2019), s. 5 - 22
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
Discursive Power: On Canon, Language, and Music as Dispositif
University of Cologne, Cologne, North Rhine-Westphalia, Germany
Publikacja: 31.07.2019
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
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