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Ariadne's Weaving in the Musical-Visual Field

Data publikacji: 2021

Kwartalnik Młodych Muzykologów UJ, 2021, Numer 50 (3/2021), s. 5 - 41

https://doi.org/10.4467/23537094KMMUJ.21.005.16099

Autorzy

Milica Aleksić
University of Arts in Belgrade
https://orcid.org/0000-0003-3409-2305 Orcid
Wszystkie publikacje autora →

Tytuły

Ariadne's Weaving in the Musical-Visual Field

Abstrakt

Recognition and reflection of the radially structured semantic intertextual raster in the opera Ariadne auf Naxos Op. 60 by Richard Strauss and Hugo von Hofmannsthal, are the goals of this paper, with the awareness that ‘reading’ of this complex textual amalgam cannot be comprehensive and that this is only one of the possible ways of looking at different languages, their texts, and relationships in which they come in, with the emphasis on the connection between the music and architectural texts. The focus is to spot some of the paths in this specific music-scenic maze. The recognition of the ‘inner’ and ‘outer’ opera house implies the withdrawal of the parallels between the music-dramatic and the architectural level. The concept of ‘opera within the opera’ is simultaneously present in the musical-dramatic sphere (opera Ariadne in opera Ariadne auf Naxos) and in the architectural sphere (opera/residential house in the opera house). By concurring with the different meaning of the word ‘opera’ which it has in the music-drama (opera as a musical-drama work) and architectural language (opera as an architectural object), we carry out the terms meta-opera ‘per square’ (‘metaopera’) and meta-opera ‘per cube’ (‘metaopera’).

Bibliografia

Pobierz bibliografię
Bennett, B., Hugo von Hofmannsthal: The theaters of consciousness (Cambridge, New York: Cambridge University Press, 1988).
Daviau, D. G., Buelow, G. J., ‘The Ariadne auf Naxos of Hugo von Hofmannsthal and Richard Strauss’, UNC Studies in the Germanic Languages and Literatures, 80 (1975).
Greene, B. D., Listening to Strauss Operas: The Audiences Multiple Standpoints (New York, Philadelphia, London, Montreux, Tokyo, Melbourne: Gordon and Breach, 1991).
Frieder, A., ‘Opera on Opera (on Opera), Self-Referential Negotiations of a Difficult Genre’, in W. Bernhart, W. Wolf, eds, Self-Reference in Literature and Music, Word and Music Studies (Amsterdam, New York: Editions Rodopi B.V., 2010), 71.
Frisch, W., German Modernism: Music and the Arts (Berkeley, Los Angeles, London: University of California Press, 2005), 233.
Popović Mladjenović, T., ‘Ariadne’s Thread of Hofmannsthal’s and Strauss’s Opera in the Opera, or the Labyrinth of the Crossroads of European Cultural History’, in E. Nika-Sampson, G. Sakallieros, M. Alexandru, G. Kitsios, E. Giannopoulos, eds, Crossroads – Greece as an intercultural pole of musical thought and creativity (Thessaloniki: Aristotle University of Thessaloniki 2013).
ПоповићМлађеновић, T., Стефаниja, Л., ‘Музичкитексткаополифонитрагдругости’, ЗборникМатицеСрпскезасценскеуметностиимузику, 54 (2016).
Stefanović, A., Temporality and Narrativity in Music Drama (Belgrade: Faculty of Music, 2017).
Strauss, R., A working friendship: the correspondence between Richard Strauss and Hugo von Hofmannsthal, tr. into English by H. Hammelmann, E. Osers (New York: Vienna House, 1961).
Strauss, R., Ariadne auf Naxos, Op. 60, “Oper in einem Aufzuge nebst Vorspiel von Hugo von Hofmannsthal, Studienpartitur” (London: Boosey & Hawkes, Ltd., 1916/1943).

Informacje

Informacje: Kwartalnik Młodych Muzykologów UJ, 2021, Numer 50 (3/2021), s. 5 - 41

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Ariadne's Weaving in the Musical-Visual Field

Angielski:

Ariadne's Weaving in the Musical-Visual Field

Autorzy

https://orcid.org/0000-0003-3409-2305

Milica Aleksić
University of Arts in Belgrade
https://orcid.org/0000-0003-3409-2305 Orcid
Wszystkie publikacje autora →

University of Arts in Belgrade

Publikacja: 2021

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY  ikona licencji

Udział procentowy autorów:

Milica Aleksić (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski

Liczba wyświetleń: 581

Liczba pobrań: 253

<p> Ariadne's Weaving in the Musical-Visual Field</p>